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Retrieved September 22, 2015. ^ Osmond, Andrew (April 2, 2018). "Netflix Adds One Punch Man and Saiki K". Anime News Network. Archived from the original on October 9, 2021. Retrieved October 8, 2021. ^ iQIYI Thailand [@iQIYI_Thailand] (September 22, 2021). "ลาย 🟩◼ มันคุ้นๆมั้ยน้า? 🌊มาเล่นเกมหาคํากันดีกว่า ทายกันเข้ามาเลยว่า #อนิเมะ เรื่องใหม่ที่กําลังจะฉายบนแอป #iQiyi และเว็บ iQ. com คือเรื่องอะไร?! 😎" (Tweet) (in Thai). Retrieved September 25, 2021 – via Twitter. ^ bilibili thailand [@bilibilith] (September 25, 2021).Ever since DreamWorks took it upon themselves to poke fun at the Disney company and the Disney brand with *Shrek* back in 2001 and became a monumentally-successful franchise financially, animated film had more or less entered the realm of metacommentary. It didn’t take long for Disney to follow suit; starting with *Enchanted* in 2007 and then expanding that into the soul-sucking exercise of their live-action remakes of the recent years (if not also including choice lines in others like . *Frozen*). If there is any takeaway from this, it’s not only that animated properties being so overtly meta is here to stay, but that it is also a highly-profitable venture. After all, no company is going to change their course if it affects their bottom line. To the company, there’s a simple credo to follow: whether it be about specific properties or about an entire genre’s convention, give the audience a wink. Let them know that you “get it. ”
And in the realm of anime, metacommentary also has its home. I’m not only referring to overall productions that have been regarded as having some kind of meta remarks or supposedly-deconstructive genre assertions like *Neon Genesis Evangelion,* but even the casual remarks that characters make in any kind of story, like the above quotation I left.