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co. jp. Archived from the original on June 20, 2020. Retrieved February 28, 2019. ^ a b Font, Dillon. "Pro Amateur Comics – Yuri Doujinshi Rica 'tte Kanji!?".

Fuji TV. Archived from the original on May 24, 2014. Retrieved May 23, 2014. ^ a b "第16回 2004年9月15日放送 あらすじ". Fuji TV. Archived from the original on May 24, 2014. Retrieved May 23, 2014. ^ a b "第12回 2004年8月11日放送 あらすじ". Fuji TV. Archived from the original on May 24, 2014. Retrieved May 23, 2014.

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Retrieved November 10, 2021. ^ Pineda, Rafael (November 19, 2018). "Saint Seiya Episode Zero Manga's 2nd Season Will Run for 2 Chapters". Anime News Network. Archived from the original on November 10, 2021. Retrieved November 10, 2021. ^ 週刊少年チャンピオン 2006年No. 22+23 (in Japanese). Akita Shoten. Archived from the original on November 10, 2021. Retrieved November 10, 2021. 09. Fuu also reveals she lied about the coin toss result, which briefly annoys Mugen and Jin. Recovered from their final fight, the three part ways grateful for their shared adventure. Setting and themes[edit] Series director Shinichirō Watanabe defined the central theme of Samurai Champloo as the portrayal and acceptance around death, themes he had previously explored in his science fiction series Macross Plus (1994) and Cowboy Bebop (1998). [5] Another theme outlined in the series pitch was individuality and finding one's unique identity. [6] The series is set in Edo period Japan, roughly sixty years after the end of the Sengoku period. [7] While a historical time period, the anime does not focus on historical detail beyond minor inclusions and references, mainly using contemporary-style dialogue and behavior. [5][8] A conscious inclusion was emphasising cultural acceptance and tolerance of minorities including the indigenous Ainu people, foreigners, LGBT people, and Christians; the historical Edo period was a time when Japan was highly structured, conformist and isolationist. [5][9] Due to its Edo setting and incorporation of samurai culture and honor codes, Watanabe was worried the anime would be seen as nationalistic in tone, prompting its focus on minorities and tolerance. [10] Watanabe put in as much as he could manage of these themes and subjects, challenging earlier limitations imposed by a lack of historical information from the time and Japanese television codes restricting the portrayal of Japanese minorities in the period. [5] The main cultural influence on the anime is the music and associated subculture of hip hop.