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[39] Scenario and art design[edit] Samurai Champloo was Obara's first time working on an anime series, and Watanabe attributed him with bringing a new style of narrative and pacing to the series. [5][8] Sato had worked with Watanabe before on Macross Plus. [8] He described the process of discussing plot concepts with Watanabe and building upon voiced ideas, treating his own contributions like sample discs that might be accepted or rejected. [40] The script meetings were unusually long, beginning with the synopsis and ending up with the final form, alongside off-topic conversation that was sometimes incorporated into that episode's plot. [8] Due to Watanabe's reputation and the success of his projects in the West, the anime was created with a Western audience in mind with the expectation that it would be more successful outside Japan. This resulted in more overt references to Western culture being included.On the other hand, the same principle may not apply entirely for the demons. Truth to be told, most of the demons in the show has a rather one sided personality. Most of them are known for their bloodlust and urge to kill. It’s a primary factor that can make the demons more forgettable compared to the human characters. Outside of Kibutsuji, it’s really hard to say any of these demons are actually worth remembering for this adaptation. If in the future when this gets more animated episodes, they could be worth mentioning.
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