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At first, Kuzan struggled because he was not as strong as Garp, but as time passed, his punches eventually reached the same level as Garp’s. By the time Kuzan became “Admiral Aokiji”, his relationship with Garp was still strong, until the present day. Kuzan tells Garp he raised a troublesome enemy in him, but Garp tells Kuzan he is done with him while calling him a foolish student, and they strike each other with Haki-coated fists, creating a huge shockwave that blows both of them back. Pizarro tells the Marines that their hopes of escaping Hachinosu are slim because of how many pirates are on the island. He also tells them that their ship is not safe from him, and he proves it by morphing part of the island into a giant hand to crush Garp’s ship, all the while proudly declaring that this action will make him stand out among the Blackbeard Pirates. Koby desperately begs him to stop, but Garp tells the young captain to calm down because justice will always prevail.

It just feels like a death trap that unbeknownst to each of the players before they join, if they get knocked out they can never play for the Japanese national team. I feel like these sort of stipulations should have been included in the letter. If not, screw it, just go full squid game and say if you’re knocked out you’re executed. That would have spiced things up a little bit. I also think it’s laughably pathetic how this show is only situated in an air conditioned indoor football pitch as they prepare for a competitive outdoor sport. It’s almost as if these writers couldn’t have borne the thought of not being in an airconditioned room. The world cup and every club football competition is played outdoors. So why are we conditioning these kids to never see the light of day?
I don’t understand why Blue Lock had to introduce made up characters in the series. I understand this point is more a pet-peeve as not everyone that watches Blue Lock is familiar with football and that’s totally fine. But as for me, I’m just wondering why we had to make up characters mixed in with real footballing greats? Noa Noel? Seriously? Noa-ne cares. I had to sit here as they tried to explain white-washed Thierry Henry to me.

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^ "JoJo's Bizarre Adventure: Part 2--Battle Tendency Manga". Viz Media. Archived from the original on June 4, 2020. Retrieved May 29, 2020. ^ "JoJo's Bizarre Adventure: Part 3--Stardust Crusaders Manga". Viz Media. ISBN 978-1-4215-0185-7. ↑ Togashi, Yoshihiro (March 7, 2006). "60". Passing the Exam. Hunter × Hunter. February 14, 2007. Archived from the original on November 4, 2016. Retrieved November 2, 2016. ^ Loo, Egan (April 18, 2007). "Japanese Comic Ranking, April 11–17". Anime News Network. July 26, 2023. Retrieved July 28, 2023. ^ "グラップラー刃牙 外伝". Akita Shoten. Retrieved October 20, 2022.
Fiche technique[modifier | modifier le code] Titre original : 火垂るの墓 (Hotaru no haka) Titre français : Le Tombeau des lucioles Réalisation : Isao Takahata Scénario : Isao Takahata, d'après la nouvelle La Tombe des lucioles de Akiyuki Nosaka Dessins : Yoshifumi Kondō Musique : Michio Mamiya Photographie : Nobuo Koyama Montage : Takeshi Seyama Production : Tōru Hara Sociétés de production : Studio Ghibli Sociétés de distribution : Kazé Pays de production : Japon Langue originale : japonais Format : couleurs – 35 mm – son Dolby Digital Genre : animation, drame, guerre Durée : 90 minutes Dates de sortie : Japon : 16 avril 1988 France : 19 juin 1996 Classification : tous publics Distribution des voix[modifier | modifier le code] Personnages Japonais Français Mère Yoshiko Shinohara Marina Tourbon Setsuko Ayano Shiraishi Kelly Marot Seita Tsutomu Tatsumi Pascal Grull Tante Akemi Yamaguchi Marie-Martine Version française Studio de doublage : Libra Films[3] Direction artistique : Brigitte Lecordier Adaptation : Christine de Chérisey Personnages[modifier | modifier le code] Seita Jeune garçon de 14 ans, il se voit dans l'obligation de s'occuper seul de sa petite sœur, Setsuko, après la mort de leur mère. Soucieux de préserver la petite fille, il lui cache certaines choses et l'amuse le plus souvent possible. Malgré tous ses efforts et son amour pour elle, il se révélera trop jeune pour la sauver des horreurs de la guerre. Il décède le 21 septembre 1945 dans une gare. Setsuko Petite sœur de Seita, elle a un caractère enfantin typique de ses 4 ans. Mais elle comprend beaucoup de choses, y compris ce qu'on veut lui cacher. Elle est très attachée à son frère. Victime de malnutrition, elle ne peut résister et s'éteint après avoir remercié Seita. La tante Sœur du père, elle recueille les enfants à la mort de leur mère, elle vit avec sa fille et un homme qui participent tous deux aux efforts de guerre. Au début relativement affectueuse, son aigreur, sa mauvaise volonté envers les deux enfants auront raison de leur bonne volonté. Ses critiques incessantes concernant leur inactivité dans l'effort de guerre ainsi que l'appropriation de leur biens finiront par pousser Seita et Setsuko à partir et à s'installer seuls.