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Archived from the original on March 4, 2016. ^ Pine, Jarred (October 23, 2005). "Eyeshield 21 Vol. #04". Mania. com.

Here's the latest in all things DMDP international. France: Volume 10 was released by Ki-oon on April 06, 2023. Germany: Volume 11 (both editions) are out via Altraverse as of October 16, 2023. Indonesia: Volume 8 was released by m&c! on May 30, 2023. Japan: Volume 12, a Solitaire-centric gaiden novel, and the first installment of the latter's manga adaptation are out as of November 25, 2023. North America: Volume 11 is projected to have a January 2024 release.

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[29] The books have been enlarged from the typical Japanese manga size to A5. [30][31] The short stories were republished in two volumes, with the order of the stories shuffled. Codename: Sailor V was also included in the third edition. [31] The Sailor Moon manga was initially licensed for an English release by Mixx (later Tokyopop) in North America. The manga was first published as a serial in MixxZine beginning in 1997, but was later removed from the magazine and made into a separate, low print monthly comic to finish the first, second and third arcs. At the same time, the fourth and fifth arcs were printed in a secondary magazine called Smile. [32] Pages from the Tokyopop version of the manga ran daily in the Japanimation Station, a service accessible to users of America Online. [33] The series was later collected into a three-part graphic novel series spanning eighteen volumes, which were published from December 1, 1998, to September 18, 2001. [34][35] In May 2005, Tokyopop's license to the Sailor Moon manga expired, and its edition went out of print. [36] In 2011, Kodansha Comics announced they had acquired the license for the Sailor Moon manga and its lead-in series Codename: Sailor V in English. [37] They published the twelve volumes of Sailor Moon simultaneously with the two-volume edition of Codename Sailor V from September 2011 to July 2013. It also feels pretentious when it tries to sound serious without having consequences, such as the dramatic scenes when Mumen Rider cries about doing his best despite being weak, and everybody blaming the protagonist for not doing his job that well. As soon as the arc is over, everybody go on with their lives, as if nothing happened. If you are poking fun at something without trying to improve it, you are embracing the very thing you ridicule, and on top of that you make it self-indulgent. It’s like a clown who makes fun of other clowns. It’s funny but it’s not subverting anything. The show is just making jokes about the stereotypes of superheroes, and it does it without even having much variety.
, and it was very interesting to me, because I'd never seen animes regarding these themes, so it felt like a whole new thing for me, thus it made it very exciting. I like the base story a lot: the main character, Takemichi, has to travel back in time to save his ex-girlfriend from being killed by the Tokyo . Manji Gang, and ends up befriending the leaders and, eventually, joining the gang. He soon realizes that his girlfriend, Hinata, is just one of the many people he has to save, since the gang is nothing like it was in the past, having become a criminal cold-blooded organization.
The plot is very appealing, in the beggining mainly because of the premise, but then it makes you very attached to the characters. Most of the characters present a duality in their personalities, the series shows the viewers how even gang members can be affectionate, have morals and care about their families, and that not everything is what it seems. Another factor of the success of the plot is that every time Takemichi returns to the present, everything is very different, but, at the same time, some incidents never stop happening, no matter how much the past is changed. Due to this, there are many plot twists and mysteries to be solved, which makes you want to watch the next episode right away.
About characters, the protagonist is very controversial in the fandom.