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The original plans featured Kaneda riding into the stadium on his motorcycle. As Japan scholar Tagsold notes, there is an inherent irony in the use of Akira to promote the 2020 Olympics. The original manga (and to a lesser extent the film) contains strong anti-Olympic sentiment and contains several references to the 1964 Olympics, and in the story the Olympics are also scheduled to be held in Tokyo in 2020, where they are to symbolize Japan's rebirth and recovery from a nuclear disaster that takes place in the 1980s in the story setting (the dates differ between the manga and the film). Tagsold notes, "By referencing the 1964 Games, Ōtomo paints a highly critical image of the first Tokyo Olympics, reflecting the mood of the early 1980s, when citizens vehemently opposed plans to host the Olympics in Nagoya. "[106] Nonetheless, the original plans also included Ōtomo creating an illustration for the ceremony, indicative of his own complex perspective on what the Olympics mean for Japan. Ultimately, the irony of an anti-Olympic story being used to promote the Olympics was avoided when the Olympics themselves were postponed due to the pandemic, and the original production team was replaced.

[244] The show's mixture of religion and mecha also influenced subsequent Japanese video games, including Xenogears[245] and El Shaddai: Ascension of the Metatron. [246] The design and personality traits of the character Rei Ayanami were reused for many anime and manga characters of the late 1990s, such as Ruri Hoshino of Nadesico, Ruriko Tsukushima (Droplet),[247] Miharu (Gasaraki),[248] Anthy Himemiya (Revolutionary Girl Utena), and Lain Iwakura (Serial Experiments Lain). [249] The character of Asuka was parodied by Excel (Excel Saga),[250] and some of her traits were used to create the character of Mai in Gunparade March. [251] According to Italian critic Guido Tavassi, Evangelion's mecha design, characterized by a greater resemblance to the human figure, and the abstract designs of the Angels, also had a significant impact on the designs of future anime productions. [252] Nobuhiro Watsuki designed several characters for Rurouni Kenshin based on characters from Neon Genesis Evangelion, namely Uonuma Usui, Honjō Kamatari and Fuji. [253][254] Other artists have cited the series as an inspiration, including Makoto Shinkai[255] and Gege Akutami for their manga Jujutsu Kaisen.

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(Minor spoilers will follow from here, as it is near-impossible to discuss an anime like this without revealing anything. )
I have seen many people compare Re:Zero to Steins;Gate in the months since its airing. This is a great disservice to Steins;Gate. Where Steins;Gate spent nearly half its runtime developing the setting and its characters before asking the audience to empathise with and feel for them, Re:Zero does so immediately and does not ever ask for consent. It never develops its setting in any meaningful way-- about all you know for the duration of the story is that it is generic fantasy-land where people hate witches and bad things happen all the time-- and it throws death and gore at the viewer from the very first episode, when nobody even knows or cares about who Subaru is. It is shocking to see major characters die within the first episode, to be fair, but it no longer feels shocking the second, third or eleventh time.
If there was any consequence to these events, it is immediately brought to nothing by the show's contrived gimmick of rebirth and time-travel. It doesn't really matter if someone does die, as time will conveniently bend backwards for Subaru's sake-- never to the beginning, and always to the last major event in the story. There is no cost and no meaning to anything that happens. Subaru's mistakes are immediately erased upon rebirth, and he can go on about his day with nothing but his own guilt holding him back. He is the God of his story and the world is his playground. Wally switched to a more offensive style, which made Ippo confident that he would be able to trade hits. However, Ippo was the only one getting hit as he could not land a hit on Wally. Near the end of the fourth round, Ippo hit a small milestone of touching Wally's body for the first time with his fist. After the fourth round, Ippo went to the corner smiling form his small achievement, wishing to aim for bigger targets later one step at a time, starting with tapping Wally's body five times. In the fifth round, Ippo, while getting brutally hit, managed to tap Wally's body five times. Ippo was then beaten in the corner until the fifth match ended, with Yagi catching his fall with the chair, thanks to his chair skills.