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Archived from the original on February 23, 2014. Retrieved January 23, 2014. ^ "Vagabond (VIZBIG Edition), Vol. 1". Viz Media. Archived from the original on January 28, 2022. Retrieved July 4, 2022. February 2020: Mateo, Alex (February 10, 2020). "My Hero Academia Ranks #8 on New York Times Graphic Books Bestseller's February List". Anime News Network. Archived from the original on November 15, 2020.

The show’s insistence on its meta humor tries to function both comedically and dramaturgically. In having Cid make all these remarks, it attempts to paint him as being more keenly aware of what is transpiring, both in the heat of the moment and in the overarching saga that plays out in the overall world, bolstered by his sheer magical and physical power. In emphasizing the brooding aesthetic, punctuated by its dark colors and mood lighting, as well as the occasional action phrase (I will indeed give props to the line “I am atomic,” as it was as grand and dumbly epic as Cid himself thought it to be). Cid is portrayed as being consistently “cool” and slick. The “Rule of Cool” is fine for an occasional indulgence, but to make it a part of the show’s framework is a dangerous game. Cid Kagenou is *The Eminence in Shadow’s* attempt to make the “Rule of Cool” personified via the main protagonist.
Yet in all that time focusing on him, most of the ensemble gets left out in the lurch. The “Greek chorus,” or the series of women who serve under Cid in Shadow Garden, are the prime example. They are caricatures rather than characters, a harem in principle and occasional sexual connotation, though not with Cid himself. No chance is given to develop many of them into substantial beings—they don’t even get names beyond Greek letter designations, hence why I referred to them as “Greek chorus” before—because the show’s structure deemphasizes their own relevance. Throughout most of the story, they appear for brief moments and then vanish for long stretches of time, and their contributions to Cid’s shadowy operations do little more than deliver messages or background information.

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"Slam Dunk GN 1 - Review". Anime News Network. Archived from the original on January 8, 2021. Retrieved January 7, 2021. ^ Macdonald, Christopher (September 23, 2005). "TV Asahi Top 100 Anime Part 2". Anime News Network. Archived from the original on July 30, 2014. Retrieved September 23, 2005. ^ Macdonald, Christopher (September 23, 2005). "TV Asahi Top 100 Anime". In contrast to the beginning, the ending felt jerky and boring. Overall, I would say it was an average anime (a 5/10). It's overhyped- largely due to the high-grade animation. 3 Bluesky8 Jan 5, 2024 7. 8 Review of the second season of Jujutsu Kaisen produced by the Mappa studio, there will be spoilers. Characters: Let's start from what in my opinion is the strong point of this season, the cast of characters who, compared to the first season, offer us new introspections, twists and evolutions that accompany us throughout the season (I won't include them all). Itadori: In this season we witness a constant growth of the protagonist who is confronted with forces that unfortunately he is unable to counteract and it is underlined that up until now he had lied to himself only to use excuses to be able to move forward, but when reality reveals itself on his face he understands what his purpose is and decides to act accordingly despite the horrors he is forced to face. I have to say that seeing him so traumatized this season leaves a bad taste in the mouth, but this is exactly what the sorcerers of jujutsu kaisen have to face. Nobara: seeing her die a tear fell, unfortunately she didn't have time to develop on screen which almost seemed like a pretext to give more drama to the show with her death, which is a shame because as a character she had a lot of potential but unfortunately she is been wasted in the plot. Gojo: protagonist of the first narrative arc of this 2 season, here Gojo is further explored in how he manages to achieve greatness following the clash with Toji Zenin and it was very nice to see how he had a completely different vision of the world at the beginning of the sorcerers and humans, but following the death of Riko Amanai both he and Geto change perspective leading Gojo to mature following those events faced, it was also a nice twist to see that in Shibuya he was sealed in following his clash with the various special curses ranks, but it will be a shame not to be able to see him again so soon in the show. Mahito: what can I say, perhaps the best villain of the show, the one who has the highest number of kills with the sorcerers: Junpei, Mechamaru, Nanami and Nobara, as well as having irreparably damaged Todo, it is incredible how this character fully presents the concept of "inhuman" and is also the one who puts the protagonist face to face with the sad and cruel truth of how the two behave in different ways but are similar to each other, the final scene with Mahito scared by Itadori as he imagines being hunted by a wolf in a forest in the middle of winter was something sublime to see, the one who killed humans for no reason ends up being scared by one of them he wanted to kill.