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Sound: Nothing stands out to me. That means it gets a score that doesn't stand out. Characters: Our characters are pretty flat and don't develop. Motivations are straightforward but they are cute. Overall: I'm studying Japanese so turning off the subtitles makes the show worth watching for me on account that most often the speech is very simple. I can't praise the show too much though, nor can I criticize much more than the wonky camera angles.[86] The series also contains references to philosophical and psychoanalytic concepts, such as the oral stage, introjection, oral personality, ambivalence,[87] and the death drive,[88] including elements of the works of Sigmund Freud,[89][90] Arthur Schopenhauer,[91][92] and Søren Kierkegaard. [93] Related media[edit] Main article: Neon Genesis Evangelion (franchise) Films[edit] Main article: List of Neon Genesis Evangelion movies In May 1996, Gainax announced an Evangelion film[94] in response to fan dissatisfaction with the series finale. [61] On March 15, 1997, Gainax released Neon Genesis Evangelion: Death & Rebirth, consisting of 60 minutes of clips taken from the first 24 episodes of the series and the first 30 minutes of the new ending due to production issues. [95] The second film, The End of Evangelion, which premiered on July 19, 1997, provided the complete new ending as a retelling of the final two episodes of the television series. Rather than depicting the series' climax within the characters' minds, the film provides a more conventional, action-based resolution to the series' plot lines. The film won numerous awards[96][97] and grossed ¥1. 45 billion within six months of its release. [98] Ex. org ranked the film in 1999 as the fifth best 'All-Time Show', with the television series at the second. [99] In 2009, CUT magazine ranked it the third greatest anime film of all time. [100] In July 1998, the films were re-released as Revival of Evangelion which combined Death(true)2 (the director's cut of Death) with The End of Evangelion.
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