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In the aftermath of these events, it is determined that the Pure Titans who suddenly appeared within Wall Rose were the inhabitants of various villages within Wall Rose, who had in some way been transformed into Titans. This leads the characters to the conclusion that all Pure Titans are, in fact, transformed human beings. Eren and his friends join Levi Squad while the Survey Corps is targeted by the Military Police led by Kenny Ackerman, Levi's uncle. In the occasion, they discover that by transforming into a Pure Titan via a serum made of Titan spinal fluid and eating another Titan shifter, a person can gain its abilities, and that Historia and her father, Rod Reiss, are the only surviving members of the royal bloodline. Rod kidnaps Eren because he is in possession of the Founding Titan, obtained by his father Grisha upon eating Frieda Reiss (Historia's half-sister), and by Eren through eating his father. Rod tries to convince Historia to allow herself to be transformed into a Titan, so she can eat Eren and regain the Founder's power. After Historia refuses and breaks Rod's vial of spinal fluid, Rod attempts to consume the serum himself, transforming into a monstrously large Abnormal Titan and inadvertently killing Kenny; he is then killed by Historia (with the help of the Survey Corps), who is thereafter declared Queen. Having resolved the political unrest, the Survey Corps lead a successful operation to recapture Shiganshina, fighting the Beast, Colossal, Armored, and Cart Titans but suffering massive casualties, wherein Erwin dies in a suicide run against the Beast Titan, and Armin gains ownership of the Colossal Titan when Levi injects him with a serum given by Kenny, causing Armin to eat Bertholt. Eren and his companions return to his childhood home, where they discover the truth of their world: they are actually Eldians, sworn enemies of the conquering Marleyans who were enclosed within the walls after the original King Karl Fritz fled from the war. They are not the last humans as they were told, but rather an enclosed sect of Eldians on an isolated island called Paradis. Because they are "Subjects of Ymir" who can be turned into Titans by being injected with Titan spinal fluid, the Eldians continue to be oppressed by Marley.

^ Polley, Dan. "Yuyu Hakusho v5 Review". Manga Life. Archived from the original on October 13, 2007. Retrieved January 4, 2010. ^ 第16回アニメグランプリ [1994年5月号] [16th Anime Grand Prix since (1994 May issue)].

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Physical Ability Power Ippo's damaged fist after throwing his first punch on a sandbag. More than anything else, Ippo's boxing is distinguished and built around his overwhelming destructive power, evidenced by the 100% KO rate in his victories, with all of them coming before the 9th round. Along with Sendō, Ippo is considered to possess the strongest punches in the whole featherweight division. He was described as a "hard puncher," as Ippo can blow away guards with a single punch without wearing the opponent out. [64] He also made Aoki and Kimura, two 6-round boxers from lightweight division, throw up after landing body blows while sparring more than once. [65] Ippo was born with fists that have stopping power due to them being big, hard, flat, and with a lot of surface area. Aoki and Kimura compared Ippo's fist to that of a brick or hollow block, and with his strong lower body and short height described by Fujii, he was capable of barraging hard, compact, and fast punches. [66] It was noted that Ippo's usage of jabs can be compared to a straight due to his power. Even before joining the Kamogawa gym, Ippo showed extraordinary muscular strength and punching power when he punched the sandbag for the first time, to the astonishment of everyone at the gym. Instead of settling with his already exceptional strength in order to focus on other aspects of his boxing, Ippo has doubled down on his punching power during all of his career by constantly working on methods to enhance it even further, including weight training, log hitting and wood cutting. During his second retirement, his strength grew greater through the use of body weights. [145][146] Following the dissolution of ADV Films in late 2009,[147] the Netflix release includes a re-translated script from Studio Khara's in-house translator Dan Kanemitsu[148][149] and a new English-language cast chosen by Khara. [150] The Netflix release omits "Fly Me to the Moon" in some regions due to licensing issues. [151][152] Anime Limited and GKIDS[edit] On May 30, 2020, British anime distributor Anime Limited announced it had acquired home video distribution rights for the original series, Evangelion: Death (True)2 and The End of Evangelion in the United Kingdom and Ireland, with an Ultimate Edition Blu-ray release scheduled for 2021, marking the international release of the original series on Blu-ray. [153] On October 3, 2020, North American anime distributor GKIDS announced it had licensed the original TV series, Death (True)2 and The End of Evangelion for home video, theatrical, and digital download release with an Ultimate Edition to be released in 2021, making this the first Blu-ray release of the franchise in North America. [154][155] On August 30, 2021, GKIDS announced a Collector's Edition and a Standard edition release in addition to the Ultimate Edition. The Collector's/Ultimate edition had the "Classic Dub and Subtitled Version", including the ADV and Manga English dubs and subs, while the standard edition was only included the Netflix English dub and sub. "Fly Me to the Moon" was not included in any of the GKIDS/All the Anime releases due to licensing issues. The Standard edition was released on November 9, 2021, while the Collector's/Ultimate edition was released on December 8, 2021. [156][157] On November 2, 2021, GKIDS released the TV series, Death (True)2 and The End of Evangelion on all major digital download services six days ahead of the Standard Blu-ray release. [158] This release, like the Standard BD, only contains the Netflix dub and sub. Reception[edit] Even fans of the sci-fi genre who avoid anime altogether have likely heard of Cowboy Bebop and Ghost in the Shell, which were each landmarks of both style and substance.