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Meanwhile, Matahachi's mother passes away, leaving his son to tell the story of the manga. Musashi's new wandering leads him meet the orphan Iori, whom he decides to raise while dealing with a village with poor fields. Musashi, Iori and Toyozaemon's journey to the retirement estate of Yūsai Hosokawa, Otsū and Jōtarō's situation living with the Yagyū, while Kojirō deals with the Hosokawa. Production[edit] While borrowing content from the Musashi novel, Takehiko Inoue took liberties when writing Vagabond, most notably the fight between the protagonist and the 70 Yoshioka which was one of the hardest to draw. After finishing the basketball manga Slam Dunk, Takehiko Inoue wanted to write something more realistic. He did not find differences between the basketball players and samurais since he claimed that none of them like losing. In retrospect, Inoue's experience with changing demographies feels obligatory as he believes manga authors should challenge themselves. [6] He called Vagabond as an experiment about complex writing. [7] Inoue started Vagabond having wondered what the character was like when he read Musashi. Having come off of drawing a sports manga, he wanted to create a series about more basic concepts, such as "life and death, the human condition, etc. " Rather than portray Musashi's later life in his "enlightened state", which has been written about often, the author chose to depict the lesser known "young man reaching that point of enlightenment when he comes from a place of being so like an animal".