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Thelwell[19] (English) Leonardo Luna (レオナルド・ルナ, Reonarudo Runa) Voiced by: Shin'ichiro Kamio[14] (Japanese); Brandon Acosta[20] (English) Media[edit] Manga[edit] Main article: List of Blue Lock chapters Written by Muneyuki Kaneshiro and illustrated by Yusuke Nomura, Blue Lock started in Kodansha's Weekly Shōnen Magazine on August 1, 2018. [21] Kodansha has collected its chapters into individual tankōbon volumes. The first volume was released on November 16, 2018. [22] As of December 15, 2023, twenty-seven volumes have been released. [23] In January 2021, Kodansha USA announced that they licensed the manga for English digital release in North America, starting on March 16, 2021. [24] In January 2022, Kodansha USA announced that they would release the manga in print. [25] The manga has also been licensed in France by Pika Édition;[26] in Germany by Kazé;[27] in Taiwan by Tong Li Publishing;[28] in South Korea by Haksan Publishing;[29] in Italy by Panini Comics;[30] in Spain by Planeta DeAgostini;[31] in Thailand by Vibulkij Publishing;[32] in Indonesia by Elex Media Komputindo;[33] and in Argentina by Editorial Ivrea. [34] A spin-off manga focusing on Seishiro Nagi, titled Blue Lock: Episode Nagi, began serialization in Kodansha's Bessatsu Shōnen Magazine on June 9, 2022. [35] The spin-off is written by Muneyuki Kaneshiro and illustrated by Kōta Sannomiya. [36] Its chapters have been collected in three tankōbon volumes as of September 14, 2023. [37] Kodansha has published the series in English on their K Manga service.

09. "Match Up!!" 73. "Ultra-Coordination" (超連動, Chō Rendō) 74. "Monster" (異次元選手(モンスター), Monsutā) 75. "Wild Dance" (乱舞, Ranbu) 76. "Can't Go Back" (もう戻れない, Mōmodorenai) 10 August 17, 2020[35]978-4-06-520360-6December 21, 2021 (digital)[36]
December 26, 2023 (print)978-1-64-651667-4 77. "All-Out" (本気, Honki) 78. "Irregular" (イレギュラー, Iregyurā) 79. "I'm Not There" (俺がいない, Ore ga Inai) 80. "Unlimited" (無限界(ノーリミット), Nō Rimitto) 81. "Last Action" (最終行動(ラスト・アクション), Rasuto Akushon) 82.

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Isekai is one of the most popular genres of anime, and isekai stories share many common tropes – for example, a powerful protagonist who is able to beat most people in the other world by fighting. This plot device typically allows the audience to learn about the new world at the same pace as the protagonist over the course of their quest or lifetime. [1] If the main characters are transported to a game-like world, the genre can overlap with LitRPG. The concept of isekai started in Japanese folktales, such as Urashima Tarō. However, the first modern isekai works were Haruka Takachiho's novel Warrior from Another World and Yoshiyuki Tomino's television series Aura Battler Dunbine. Characteristics[edit] The genre can be divided into two types: "transition into another world" (異世界転移, isekai ten'i) and "reincarnation into another world" (異世界転生, isekai tensei). [2] In "transition into another world" stories, the protagonist gets transported to another world (e. g. by traveling into it, or being magically summoned into it). [2] In "reincarnation into another world" stories, the protagonist is sent into another world after dying in the real world. A common method of death is being run over by a truck and dying, spawning the meme of "Truck-kun", a truck which appears in many isekai series that kills the protagonist and the protagonist reincarnates into a different world. The individual monsters of this show don’t work and don’t get expanded on. When you lean into that supernatural realm without actually doing anything meaningful with it–Or when they don’t iron out properties of these supernatural concepts like in the case of Blue Lock, it just becomes nonsensical mumbo jumbo. You have no limit defining, everything just ends up feeling so pulled out of the hat for convenience sake. It’s also those flaming eyes when the monsters come out or when they enter “serious mode” that are so badly animated for some of these scenes. They all start to look like Endeavor from MHA to me and it’s admittedly hysterical. But from a non-biased critiquing standpoint, it’s abhorrent.