bastard anime dark schneider lovers
5410"Love Hashira
Mitsuri Kanroji"
Transliteration: "Koi Bashira Kanroji Mitsuri" (Japanese: 恋柱・甘露寺蜜璃)Yūji ShimizuYūji ShimizuJune 11, 2023 (2023-06-11)7. 6% Mitsuri destroys the dragons, but is
violently stunned by Zohakuten while attempting to behead him. He moves to kill her as she recalls her past: as a child, she developed her abnormal strength, unique hair color, and large appetite at a young age. Once a source of pride, she later attempted to hide these traits after an annulled marriage proposal caused her to long to be seen as normal. However, it ultimately troubled her to realize she was hiding her true identity; joining the Demon Slayer Corps allowed her to act freely and be accepted. Mitsuri regains consciousness to see Tanjiro, Nezuko, and Genya rescuing her. She apologizes for her earlier mistake and engages Zohakuten again with renewed vigour. Zohakuten notices that Mitsuri has awakened a mark on her neck and concentrates his efforts on her, exposing Hantengu's burl. Tanjiro, Nezuko, and Genya, who reveals his ability to gain demonic traits by consuming their flesh, destroy the burl but Hantengu escapes once more. 5511"A Connected Bond: Daybreak and First Light"
Transliteration: "Tsunaida Kizuna Kawataredoki Asaborake" (Japanese: 繋いだ絆 彼は誰時 朝ぼらけ)Ken Nakazawa, Seiji Harada,
Takashi Suhara & Jun'ichi MinaminoHaruo Sotozaki
& Takashi SuharaJune 18, 2023 (2023-06-18)[c]7. 6% Tanjiro reaches Hantengu by using Thunder Breathing's technique, but the demon manifests his resentment, Urami.
[7] Takahata explained that any wartime story, whether animated or not animated, "tends to be moving and tear-jerking", and that
young people develop an "inferiority complex" where they perceive people in wartime eras as being more noble and more able than they are, and therefore the audience believes that the story has nothing to do with them. Takahata argued that he wanted to dispel this mindset. [6] When Nosaka asked if the film characters were "having fun", Takahata answered that he clearly depicted Seita and Setsuko had "substantial" days and that they were "enjoying their days". [8] Takahata said that Setsuko was even more difficult to animate than Seita, and that he had never before depicted a girl younger than five. [6] Takahata said that "In that respect, when you make the book into a movie, Setsuko becomes a tangible person", and that four-year-olds often become more assertive and self-centered, and try to get their own ways during that age. He explained that while one could "have a scene where Seita can't stand that anymore", it is "difficult to incorporate into a story". [9] Takahata explained that the film is from Seita's point of view, "and even objective passages are filtered through his feelings". [8] Takahata said that he had considered using non-traditional animation methods, but because "the schedule was planned and the movie's release date set, and the staff assembled, it was apparent there was no room for such a trial-and-error approach". [8] He further remarked that he had difficulty animating the scenery since, in
Japanese animation, one is "not allowed" to depict Japan in a realistic manner. [6] Animators often traveled to foreign countries to do research on how to depict them, but such research had not been done before for a Japanese setting. [6] While animating the movie, Takahata also created several different cuts of the scene in which Seita cremates Setsuko's body.
They find housing with two women, but are soon attacked by the Tsujikaze gang, and in the confusion of the
fight their paths separate: Takezō decides to become a vagabond and wander the world challenging strong opponents, and Matahachi chooses to stay with the women. Takezō
returns to his hometown, the Miyamoto village, to tell Matahachi's mother, Osugi Hon'iden, that her son is alive. However, Osugi reacts hostile because the village detests Takezō for his extremely violent and antisocial tendencies, and because the future of the Hon'iden gentry family is compromised now that their heir Matahachi is missing. Osugi pulls strings to accuse Takezō of being a criminal. Takezō fights his pursuers but is eventually caught by the monk Takuan Sōhō, who makes him reconsider his purpose in life. Takuan frees him and, to make him start his life anew, renames him Musashi Miyamoto. After a 4 years timeskip, Musashi's arrival to Kyōto, his fight against the Yoshioka swords. Musashi takes several students but the area catches on fire, leading to the fight being postponed. Musashi is rescued by Matahachi and treated by Takuan. Musashi decides to continue his training with a young boy, Jōtarō, wanting him to teach him. In Musashi and Jōtarō's arrival to the Hōzōin spears, Musashi's first fight against the Hōzōin, its aftermath, Musashi's second fight against Hōzōin Inshun.
