wolf girl and black prince episode 14
It's this kind of obviousness that shows like Erased demonstrate when they highlighted everything in red to insinuate danger. Attempts at cleverness that's just painfully juvenile. And now this same kind of forcefulness is being carried over to Re:Zero.
And 17-minutes into episode 11, Suburu states, "You know, Rem, you keep putting Ram on a pedestal and undermining yourself—," while the camera unapologetically focuses on blue and pink flowers, both literally sitting in a vase (pedestal) of equal height. These are the kinds of things that Re:Zero
does repeatedly that demonstrate its lack of restraint. Constantly drawing attention to your
symbolism only defeats the purpose of it, to begin with. Symbolism and motifs alike are supposed to be discovered, not spoon-fed. And this is the problem with this show: it can't simply let things be without intervening with forceful resolve.
And then you have ideas that are used only to add detail to the universe or serve as a new plot reveal to keep the story exciting, but that are never properly thought out.
Like the battle against Moby Dick, a beast with the ability to erase the memory of people's
existence consumed by its fog. We get an example of this when Rem sacrifices herself to save Suburu and is immediately forgotten by everyone who knows her.
[1] According to the standard list, they are pride, greed, wrath, envy, lust, gluttony and sloth, which are contrary to the seven heavenly virtues. This classification originated with Tertullian and continued with Evagrius Ponticus. [2] The seven
deadly sins are
discussed in treatises and depicted in paintings and sculpture decorations on Catholic churches as well as older textbooks. [1] History[edit] Greco-Roman antecedents[edit] Roman writers such as Horace extolled virtues, and they listed and warned against vices. His first epistles say that "to flee vice is the beginning of virtue and to have got rid of folly is the beginning of wisdom. "[3] An allegorical image depicting the human heart subject to the seven deadly sins, each represented by an animal (clockwise: toad = avarice; snake = envy; lion = wrath; snail = sloth; pig = gluttony; goat = lust; peacock = pride).
As Ippo watched
Ricardo being unusually offensive in the first round, he was confused and wondered why Ricardo is acting like that. While seeing Ricardo land hits on McCallum after breaking his guard, Ippo thought that it must feel lonely not having anyone to be able to draw out his true abilities and strength. After Ricardo defeated McCallum by knockout in the first round, Ippo
realised how he grows because of the opponents he fights while Ricardo has never experienced it due to having trivial matches. He at first thought it would be lonely, however, he remembered when Takamura told him that the view isn't lonely, but extraordinary, wondering what view Ricardo sees. Ippo began to leave the audience area with Milo to group up with Sendō for the victory party. Ippo on a plane, leaving Mexico.
