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The aural effects are well chosen and choreographed, and while there are many occasions that feature frenetic clashes and lots of noise, care has generally been taken to modulate this to a level that won't unnerve the viewer (admittedly there are some minor overwhelming moments, but they're not really worth going into any detail as they don't really affect the story in any way).
As for the acting, granted there are some different seiyuu between the two adaptations, but the series' big guns are in force in both. That said, while there is some acting continuity between the two, the actual quality is a little better in Brotherhood, however this may be due to an increased familiarity with the characters, and also because Brotherhood is far more a straight forward shounen tale than the original adaptation- something which actually shows in the acting.
And now to the most interesting bit - the characters.
Unlike both the manga and Brotherhood, the original anime adaptation of Full Metal Alchemist featured some surprising and unique characters, not the least of which is Edward Elric himself.
But before we get into that though, let's talk Homunculi.
One of the most overlooked aspects of the original series was the nomenclature given to the homunculi, and although their names and purpose have been "clarified" by the manga and Brotherhood, the writers for the original adaptation didn't have this knowledge, so they actually made them work in a completely different way. The whole deal with the Seven Sins is very different in the first anime, as the writers used the homunculus to highlight the aspect of obsession throughout the series. This is why the first anime adaptation had them being "
born" in a particular manner, rather than the more trite reasoning given in the manga and Brotherhood much later.
The homunculi are effectively born from the obsession of humans, a theme which is also
present in Arakawa's version of the story, even though it has been downplayed a lot.
So
what does this have to do with the characters? Well, rather a lot actually.
^ "Sutōrī|Terebi Anime "Deddomaunto Desupurei"
Kōshiki Saito" STORY|TVアニメ「デッドマウント・デスプレイ」公式サイト [Story|TV Anime "Dead Mount Death Play" Official Website]. dmdp-anime. jp (in Japanese).
Archived from the original on October 26, 2023. Retrieved April 11, 2023. ^ "Watch Dead Mount Death Play - Crunchyroll". Crunchyroll. Archived from the original on September 21, 2023. Retrieved April 11, 2023. ^ "On'ea|Terebi Anime "Deddomaunto Desupurei" Kōshiki Saito" ONAIR|TVアニメ「デッドマウント・デスプレイ」公式サイト [On Air|TV Anime "Dead Mount Death Play" Official Website]. dmdp-anime.
" He commented that while Kanno's method was normally "unforgivable and unacceptable", it was ultimately a "big hit" with Cowboy Bebop. Watanabe
described his collaboration with Kanno as "a game of catch between the two of us in developing the music and creating the TV series Cowboy Bebop". [39][45] Since the series' broadcast, Kanno and the Seatbelts have released seven original soundtrack albums, two singles and extended plays, and two compilations through label Victor Entertainment. [46] Weapons[edit] The guns on the show were chosen by the director, Watanabe, and in discussion with set designer, Isamu Imakake, and mechanical designer, Kimitoshi Yamane. Setting producer,
Satoshi Toba said, "They talked about how they didn't want common guns, because that wouldn't be very interesting, and so they decided on these guns. "[47] Distribution[edit] Broadcast[edit] See also: List of Cowboy Bebop episodes Cowboy Bebop debuted on TV Tokyo, one of the main broadcasters of anime in Japan, airing from April 3 until June 26, 1998.
