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She has dark green hair and purple eyes, in the anime, she has blue eyes. As her preferred method of testing both poisons and remedies, her left forearm is covered extensively with self-inflicted scars, and she usually keeps it wrapped in bandages. Maomao typically presents herself very plainly, wearing simple clothes and avoiding makeup save for freckles she paints on her nose. On the occasions she dresses up, she is considered gorgeous by many, with most failing to recognize her as the same person entirely. Though she normally wears an impassive expression on her face, she flushes, her eyes light up, and she begins to smile whenever she is able to taste poison or interact with rare medicines. Her main outfit consists of an aoqun hanfu, with a light green top and a long, burgundy skirt.

May 21, 2021. Archived from the original on May 21, 2021. Retrieved June 28, 2021 – via PR Times. ^ "TV Anime Kimetsu no Yaiba: Kamado Tanjiro Risshi-hen Original Soundtrack – May 26, 2021 (Wednesday) Release" TVアニメ「鬼滅の刃」竈門炭治郎立志編オリジナルサウンドトラック2021年5月26日(水)Release!!. kimetsu. com (in Japanese). Archived from the original on March 24, 2023. Retrieved January 9, 2023. ^ "神達に拾われた男2". Tokyo MX (in Japanese). Archived from the original on March 27, 2023.

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Ohba commented that "reading too much exposition" would be tiring and would negatively affect the atmosphere and "air of suspense". The illustrator had significant artistic licence to interpret basic descriptions, such as "abandoned building",[9] as well as the design of the Death Notes themselves. When Ohba was deciding on the plot, they visualized the panels while relaxing on their bed, drinking tea, or walking around their house. Often the original draft was too long and needed to be refined to finalize the desired "tempo" and "flow". The writer remarked on their preference for reading the previous "two or four" chapters carefully to ensure consistency in the story. [6] The typical weekly production schedule consisted of five days of creating and thinking and one day using a pencil to insert dialogue into rough drafts; after this point, the writer faxed any initial drafts to the editor. The illustrator's weekly production schedule involved one day with the thumbnails, layout, and pencils and one day with additional penciling and inking. Obata's assistants usually worked for four days and Obata spent one day to finish the artwork. Obata said that when he took a few extra days to color the pages, this "messed with the schedule". In contrast, the writer took three or four days to create a chapter on some occasions, while on others they took a month. Obata said that his schedule remained consistent except when he had to create color pages. com. ^ Hahn, Joel. "Kodansha Manga Awards". Comic Book Awards Almanac. Archived from the original on October 21, 2007. Retrieved August 21, 2007.