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Retrieved 2016-05-01. ^ "パチスロ – 株式会社SNKプレイモア". slot. snkplaymore. co. jp (in Japanese).

This leads the characters to the conclusion that all Pure Titans are, in fact, transformed human beings. Eren and his friends join Levi Squad while the Survey Corps is targeted by the Military Police led by Kenny Ackerman, Levi's uncle. In the occasion, they discover that by transforming into a Pure Titan via a serum made of Titan spinal fluid and eating another Titan shifter, a person can gain its abilities, and that Historia and her father, Rod Reiss, are the only surviving members of the royal bloodline. Rod kidnaps Eren because he is in possession of the Founding Titan, obtained by his father Grisha upon eating Frieda Reiss (Historia's half-sister), and by Eren through eating his father. Rod tries to convince Historia to allow herself to be transformed into a Titan, so she can eat Eren and regain the Founder's power. After Historia refuses and breaks Rod's vial of spinal fluid, Rod attempts to consume the serum himself, transforming into a monstrously large Abnormal Titan and inadvertently killing Kenny; he is then killed by Historia (with the help of the Survey Corps), who is thereafter declared Queen. Having resolved the political unrest, the Survey Corps lead a successful operation to recapture Shiganshina, fighting the Beast, Colossal, Armored, and Cart Titans but suffering massive casualties, wherein Erwin dies in a suicide run against the Beast Titan, and Armin gains ownership of the Colossal Titan when Levi injects him with a serum given by Kenny, causing Armin to eat Bertholt. Eren and his companions return to his childhood home, where they discover the truth of their world: they are actually Eldians, sworn enemies of the conquering Marleyans who were enclosed within the walls after the original King Karl Fritz fled from the war. They are not the last humans as they were told, but rather an enclosed sect of Eldians on an isolated island called Paradis. Because they are "Subjects of Ymir" who can be turned into Titans by being injected with Titan spinal fluid, the Eldians continue to be oppressed by Marley. In the year after the battle of Shiganshina, the Survey Corps kill all of the remaining Pure Titans on the island.

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[129] Beckett said that when he read the premise, he took the series at face value as a "goofy nonsense comic, a parody of shōnen manga that primarily exists to push out page-after-page of gross-out gags and gory action," also calling it "a mishmash of raunchy teen sex comedies, Hellboy, and The Evil Dead. "[120] Dupree stated that the "crass, crude, and purposefully lowbrow" humor is one of its defining characteristics, adding that there are multiple jokes where it feels like half the punchline is that the series, "in all its gleefully nihilistic indulgence," was published in the same magazine as other "bleedingly sincere and family-friendly" titles like One Piece or My Hero Academia. [121] Neatrour said: "[t]here's a level of off-kilter humor in Chainsaw Man that I find endearing," and that it also has "plenty of juvenile humor. "[125] Davinson commented that the humor of the series mainly revolves around Denji trying to get a girlfriend. [126] Wolf wrote that "the ridiculousness of the story helps to add comedy to the whole thing," although, he called the humor "rather base at best. "[128] Reviewers have also commented the emotional aspects of the series. Dacey discussed its unexpected moments of "genuine pathos," talking about the interactions between Denji and Pochita, noting as well parallels to Denji's relationship with Makima. [127] Davidson also stated that the emotional part of the story is about the love between Denji and Pochita. [126] Dupree wrote that the series' "bombastic, borderline nihilistic maelstrom of gore and dick jokes" is in part a reaction to the "absurd and illogical world it takes place in," adding that the series has a "proudly beating heart. Perhaps a cynical heart, but one that nonetheless sympathizes with the struggle to find meaning or solace in a cruel and unpredictable world. "[121] Reviewing the series' 97th and last chapter published in Weekly Shōnen Jump, Reiichi Narima of Real Sound commented that Denji's growth through loss is a storytelling more related to seinen manga than shōnen manga, adding that he was "deeply moved" by the inclusion of this kind of stories in the magazine, ultimately calling it a masterpiece and concluding: "at the core of bloody violence, there was a boy's sad love story. Everything that happens and anything the characters say or do are all done as willed by the Writer, thus nothing happens in the Stage unless it is intended by the Writer.
In the Shadow, the comic world is temporarily detached from the Writer's control. All characters can move or act freely while spaces or objects that exist in the comic world but are not yet drawn by the Writer act strangely (e. g. floating, moving in reverse). Those who have gained self-awareness (e.
The songs are fantastic, especially the main theme, but it feels like many songs don't line up with the story. This soundtrack also feels pretty repetitive.
Characters: 6/10
These characters aren't terrible. If the story focused on the adventure and themes of grief, loss, growing, etc. , then I'd probably give this section an 8. However, the characters are blatantly forced throughout the story.