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Archived from the original on December 12, 2013. ^ Ripper, The (April 1994). "Europa!". GameFan. Vol. 2, no. 10. Kadokawa Shoten. October 2003. ^ a b c d e f g h i j k l m n o p q r s Roman 2007, p. 66-69.

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Seiji Kishi once again directed the series at Lerche, while Norimitsu Kaihō wrote the screenplay. [69] The Danganronpa development staff have stated that, while difficult to work on both titles simultaneously, they are giving it since the opportunity to do something like it does not come up often. [37] Initially, an anime adaptation of Danganronpa 2 had been planned, but in the end the development staff opted for making an anime that takes place after Danganronpa 2 instead,[37] as Kodaka felt that the Danganronpa 2 characters' story had ended within that game and that he could not write another about what happened to them afterward very easily. [70] While class trials had originally been considered, it was thought that it would have been too painful for the characters to sit through another one, which was what led to the decision to make the conclusion into an anime. [37] The series was licensed for simulcasting by Funimation. [71] Despite episodes alternating between the Future and Despair arcs when it originally aired, Funimation groups the episodes by arc on its streaming service. [72] An original video animation titled Super Danganronpa 2. 5: Komaeda Nagito to Sekai no Hakaisha, was bundled with Danganronpa V3 in Japan on 12 January 2017. [73] Music[edit] Main article: Music of the Danganronpa series The original soundtracks for both the games and the anime are composed by Masafumi Takada. The soundtrack for Danganronpa: Trigger Happy Havoc was released in Japan by Sound Prestige Records on 14 February 2011, with the ending theme, "Saisei -rebuild-" (再生 -rebuild-, Playback -rebuild-), performed by Megumi Ogata, which is also used as the anime's final ending theme. The soundtrack for Danganronpa 2: Goodbye Despair was released on 31 August 2012. ^ Wightman, Catriona (3 February 2012). "Broadcast Awards 2012: Winners in full". Digital Spy. Hearst Magazines UK. Archived from the original on 10 June 2015. Retrieved 2 August 2013. ^ a b "BAFTA Children's in 2011". British Academy of Film and Television Arts. Archived from the original on 28 January 2016. Retrieved 2 August 2013. ^ Goodacre, Kate (21 March 2012).

Its like the Ditbull had a megaphone strapped to its head with a voice constantly screaming “I’m a Ditbull, isn’t that weird as heck?!” Oshi no Ko wastes no effort nor time in constantly reminding you how deep and prophetic it is. It’s not very deep nor prophetic at all however. It’s story has been told a thousand times through a thousand different forms of media, especially in the West. “Hollywood is all smoke and mirrors. ” Or “The stardom comes with a heavy price/burden for the star. ” Is such a dumb cliche at this point I fail to comprehend how so many people still get duped into believing it’s some eye-opening untold story.
You’ll find almost as much depth in the movie Beverly Hills Chihuahua. It’s a great movie that everyone should watch because Chihuahuas talk and do human things.
Story: 1/10 it’s literally a dumb cliche wrapped around an episode 1 that has an at best contrived twist.
Sound: 4/10 it’s nothing special but also not terrible. All the rave reviews surround once again, a pretty singular aspect and that’s the “original” song released with the series.