dragon ball legends switch
The Journal of
Popular Culture. 55 (2): 476–497. doi:10. 1111/jpcu. 13123. ISSN 0022-3840.
OCLC 1754751. ^ Shamoon 2008, p. 56. ^ Maser 2013, p. 46.
In Seirin, Kuroko only passes this way to Kagami and occasionally to Teppei Kiyoshi. [10] After their harsh training in Summer, according to Aida Riko all second years now are capable to receive it however it's painful for them as Hyuga said. Teppei Kiyoshi also noted when the first time he received this pass in street basketball tournament he could catch it but not continuously. Ignite Pass Kai Ignite Pass Kai A new, upgraded version of the Ignite Pass. Instead of simply thrusting the ball using the palm of his hand, he also puts a strong spin on it. He spins his arm and wrist round and round and creates a rotation around the ball. By doing this, like a gunshot, Kuroko puts more acceleration and power behind the pass by transferring the rotation of his arm to the ball. The ball is so strong that it can even pass the Generation's ace, Aomine. He learned this in the winter training camp, under the training of Kagetora. Cyclone Pass Kuroko spins and passes the ball
across the court When the opponents score, Kuroko takes the ball, spins
very fast and releases the ball to fly across the whole court. The pass is very fast and powerful, and flies in a straight line from the start to the end of the course, which is perfect for fast-break.
Code Lyoko uses a similar art
style while trying to be different (notably with less exaggerated expressions than most animesque series), and was inspired by Serial Experiments Lain. The pilot, Garage Kids, is even more inspired by anime, when it comes to it's animation, plot and includes even more blatant Serial Experiments Lain influences. Fantastic Four: World's Greatest Heroes's overall art style (characters, fights, animation, places) is also influenced by Japanese animation. Miraculous Ladybug, a co-production between French studio Zagtoon and (to no surprise) Japanese studio Toei Animation. The heroine is a Chinese-French Magical Girl who relies on anime-styled transformation sequences; this also applies to Adrien Agreste (Cat Noir) and the characters who become superheroes in the subsequent seasons. It was originally even more anime-like before becoming an All-CGI Cartoon. The original trailer is often compared to Pretty Cure/Glitter Force and featured the protagonist with a huge Idiot Hero, which the anime concept was a complete success. The finalized cartoon is in CGI but still keeps a lot of its Japanese influences (for example, in some of Marinette's trains of thought, her mental images are drawn in the style of black-and-white manga). The 2007
adaptation of Valérian called Time Jam: Valerian & Laureline is another. The Podcats, a French series animated in Canada by the company who did Clash of the Dinosaurs and some of the effects for Underworld: Awakening. Iginio Straffi's shows Winx Club and Huntik: Secrets & Seekers (from Italy) were designed in an anime style, and every character has hair highlights and eyes reminiscent of characters from (respectively) Shoujo and Shōnen series.
