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Archived from the original on March 20, 2013. Retrieved December 10, 2012. ^ "Jojolion Manga Wins Media Arts Award". Anime News Network. December 5, 2013. Archived from the original on December 7, 2013. Retrieved September 27, 2013. ^ ジョジョ画集「JOJOVELLER」限定版は書籍3冊とBD2枚. Natalie. mu. September 19, 2013.

Will he fall in love along the way? Whether that’s kind of weird given his real age, I’m not here to judge. But I will say that the show was the easiest binge. 6. The Girl Who Leapt Through Time (2006) Romance definitely plays second fiddle to the supernatural in this movie. But I think that it still does it justice. As the name so elegantly puts it, our female lead gains the ability to go back in time. Of course, she uses it to fix petty mistakes. But wouldn’t you know it, not all problems can be solved like that. And then maybe that second fiddle starts playing in her ear and she’s tempted to use said power.

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July 30, 2021. Retrieved July 30, 2021. ^ Mahavongtrakul, Melalin (March 13, 2020). "More blood will spill". Bangkok Post. Retrieved July 15, 2021. ^ Rapir, Jess (March 6, 2020). "'Kingdom' Creator Admits To Unexpected Global Success Of K-Drama, Teases Worldwide Scale Production In Next Seasons". Business Times. Retrieved July 15, 2021. ^ Miller, Matt (December 18, 2019). OuUwan PicturesV-signValkyriaValley MoonVanguard SoundVanilla EntertainmentVAPVasoon AnimationVega EntertainmentVENETVespaVictor EntertainmentVictor Musical IndustriesVideo MarketViewworksVisual ArtsVISUAL ARTSVisual FlightVisual PersistenceVoilVolksVOL Pictures, Inc. VOLTAGE Inc. VOXELW-Toon StudioW. BabaWaffleWakoh ShuppanWalt Disney JapanWanda PicturesWang Yuan Sheng TangWan Wei Mao DonghuaWAO CorporationWao WorldWarner Bros. Home EntertainmentWarner Bros. Pictures JapanWarner Bros. RecordsWarner Music JapanWarRockWatchaWAVE MASTERwavveWawayu AnimationWEBTOONWei Chuang Jiang XinWendy BellWen Yan Ying ShiWen Yuan Wen HuaWest Cape ProductionsWeTVWHITE FOXWillWill PaletteWindmillWinSing AnimationWit StudioWiZWolfsBaneWolf Smoke Animation StudioWonder CityWONDERFARMWonder KidsWOWOWWOWOW Members on DemandWOWOW PrimeWu Hu Wen HuaWu Li Fang Shu MaX-manXEBECXEBEC M2Xebec ZweiXenopixXFLAGXiamen YongShiXian Man Wen HuaXiao Ming Tai JiXigua VideoXing Hui Star OverseasXinGuang PicturesXing Yi Kai ChenXiron Animation & CartoonXi Shan JuX Kongfu PicturesXTORMXuanshi TangmenXuan YuanXu Ni Ying YeXuseY. O. U. C. Yamato WorksYAMIKENYanase StudioYaoqiyaoyorozuYapiko AnimationYear Young CultureYellYHKT EntertainmentYi AnimationYi Chen AnimationYi Kui Duo DongmanYingguo CultureYi Xiang Wen Hua Chuan BoYi Yu CultureYofoxYoka GamesYokohama Animation LabYomiko Advertising, Inc.
He said, "In Japan, it is customary to hold a jichin-sai [ja] or groundbreaking ceremony, before construction begins on a new building or home, but we do nothing when we close them down. " Shinkai noticed that there were more empty or abandoned areas in Japan due to the country's declining birth rate and aging population, so he thought of writing a story about "mourning deserted places. "[12][13] As a result, the film inevitably turned into a road movie about visiting places. [14] The 2011 Tōhoku earthquake and tsunami served as an influence for the themes in the film. While the Tiamat comet in Your Name (2016) and the concept of Weathering with You (2019) were ideas influenced by the natural disaster, Shinkai felt that he should "express the impact [he] felt through the earthquake and tsunami, instead of continuing to depict it as a metaphor. "[12][13] He feared that people's memories of the disaster start to become "hazy" over time, and by depicting the earthquake and tsunami in his film or novel, he could also share his memories with teens who were unaware of the disaster. [12] Shinkai also cited Kiki's Delivery Service, Guardian: The Lonely and Great God, and Haruki Murakami's novel Kafka on the Shore and short story "Kaeru-kun, Tokyo o Sukuu" (かえるくん、東京を救う, "Super-Frog Saves Tokyo") as influences for the film. [13][15] Shinkai and his staff planned the project from January to March 2020. They started developing the film's script in April, which is when the Japanese government declared a state of emergency due to the COVID-19 pandemic. [16][17] In an interview with TV Asahi, Shinkai mentioned that the pandemic had a less tangible effect on the film's production. However, he said that "the mood of the times is indelibly etched into the script", adding that the film will have a post-apocalyptic theme.