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Cosmo Imai (今井 コスモ, Imai Kosumo) Voiced by: Junya Enoki[7] (Japanese); Bryce Papenbrook[9] (English) Specializing in Brazilian Jiu-Jitsu, he is the youngest fighter in the Kengan Annihilation tournament. He represents Nishihonji Security Services. Nicknamed "The King of Stranglers". Setsuna Kiryū (桐生 刹那, Kiryū Setsuna) Voiced by: Daisuke Namikawa (Japanese); Todd Haberkorn (English)[7] A fighter for the Koyo Academy Group. His insane attraction to Ohma has driven him to kill his own master, who murdered Ohma's master prior to the start of the series. He enters the tournament in the hopes of fighting Ohma and to be killed by him as his ultimate form of affection. Media[edit] Manga[edit] Kengan Ashura is written by Yabako Sandrovich and illustrated by Daromeon. It was serialized in Shogakukan's online platform Ura Sunday and in the MangaONE app from April 18, 2012 to August 9, 2018. [10][11] Shogakukan collected its chapters in twenty-seven tankōbon volumes, released from December 18, 2012 to February 19, 2019. [12][13] A sequel, titled Kengan Omega (ケンガンオメガ), began its serialization on Ura Sunday and MangaONE on January 17, 2019. The sequel is set two years after the events of the original series.

"End of Dawn"Park Se-joonNa Yoon-shik3:2535. "Fallen Ring" (떨어진 반지)Lee Nyum2:0136. "A Time for You and Me" (너와 나의 시간)Park Se-joonNa Yoon-shik3:25Total length:76:09 Singles[edit] The following is the track list of singles from Extraordinary You: Original Soundtrack. Singles from Extraordinary You (Parts 1–8) Part 1 Released on October 2, 2019 (2019-10-02)No. TitleLyricsMusicArtistLength1. "Feeling"TaibianJeASihaTaibianJeASihaApril3:082. "Feeling" (Inst. ) TAIBIANJeASiha 3:08Total length:6:16 Part 2 Released on October 9, 2019 (2019-10-09)No. TitleLyricsMusicArtistLength1. "My Beauty"Kim Bum-juKim Si-hyukKim Bum-juKim Si-hyukVerivery[r]3:512. "My Beauty" (Inst.

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Visually, while peppered with small parts of almost misplaced silly humour, sousou no Frieren captures the story’s deep sentiments with detailed subtleties: slight shifts in wrinkled expressions, dirt flicking up from a wagon’s wobbly wheel, the agefulness in the differences of characters' hands, or the objects that become absent from Himmel’s cabinet between scenes. The unobtrusiveness of the character banter is paired with genuinely “normal” character flaws that serve only to make the characters more real, as they struggle with their own vices, internal demons. and regrets. The music and sounds can almost go unnoticed: the crackling of lanterns in the otherwise deafening silence of night, the rushing water as they cross a stream, or the dampening fog of the wood.