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Taking place during the chaotic Sengoku period, the anime focuses on the tragedy on war and men's devotion towards religion. Crunchyroll noted that the series have a heavy focus on Buddhism and the demons that threaten society often resulting in violence in most episodes with the heroic Hyakkimaru standing out as under complicated socio-political stakes with Daigo's devotion towards the demons representing the shifts in changing Buddhist attitudes toward these entities. [17] Anime News Network noted that there is the ideas involving the damage of the Onin War as the anime often addressed victims of wars regardless of age and poverty is common in villagers. The idea of yokai predated the arrival of Buddhism into Japan, but like how later Japanese Emperors were both high Shinto priests and devoted Buddhist practitioners, belief in yokai and adherence to the buddhas were never mutually exclusive. Although Daigo offers his son to the yokais, Buddhism still saves the recently born child from a dark fate with the first episode showing a Boddhisattva Kannon statue losing its head when Hyakkimaru is saved from being eaten. [18] Tor.[113] Becket felt the animation style had aged poorly, though giving praise to the art style and fight sequences. [111] The music met with general praise for its use and style. [3][110][111][112][113] Becket additionally praised the English dub. [111] The mixture of traditional elements with hip hop met with some mixed responses. Halverson was enthusiastic about them and called the hip hop representation superior to many Western portrayals. [112] Robinson also enjoyed them, noting that they kept the anime from being too much like Cowboy Bebop. [3] Browne enjoyed the contemporary visual references used alongside the Edo setting, but faulted the show's reliance on them. [110] By contrast, Bonaminio cited its sense of style and unique blend of elements its greatest strength. [113] As part of a 2007 retrospective article on Geneon Entertainment, David Smith of IGN called it one of the best anime published by the company during its lifetime, saying it was almost perfect in what it did and stood out from other Geneon properties. [73] Mike Dent of Otaku USA Magazine, writing in 2015, praised the music for adding to each episode's atmosphere, in addition to its animation quality and writing. [4] In a 2019 retrospective for Anime News Network, Matthew Roe states "the mixture of hip-hop aesthetics and classic samurai tropes seems like a more awkward fit than Bebop's effortless fusion of jazz and science fiction" and further criticized a lack of emotional resonance, but felt the direction of Watanabe and Manglobe kept the series going.
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