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"My Hero Academia Ranks #2 on U. S. Monthly Bookscan September List". Anime News Network. Archived
from the original on July 10, 2022. Retrieved September 17,
2019. October 2019: Alverson, Brigid (November 13, 2019). "October 2019 NPD Bookscan - Top 20 Adult Graphic Novels". ICv2. Archived from the original on November 25, 2020. Retrieved November 13, 2019.
When Ippo arrived to the Otowa gym, he met Ricardo and felt the pressure of the super champion after going into the ring with his match boxing trunks, wanting to treat the spar as an actual match. Ippo's Dempsey Roll stopped by Ricardo's left jabs. As the spar began, Ippo
attempted to use a feint and a liver blow, however, he stopped midway as Ricardo saw through the tactic. Ippo entered his Peek-a-Boo Style and threw a one-two, which Ricardo easily dodged the first hit and threw a jab that Ippo couldn't see coming. After
repeatedly getting hit with Ricardo's motionless lefts, Ippo managed to get close to Ricardo by blocking some of his punches. In range, Ippo began the Dempsey Roll motion.
Breath-taking landscapes, delightful character designs and a keen attention to detail are lucid across its runtime, constantly emphasizing the smaller moments just as much as the larger ones. It takes a special group on staff to pour so much effort into each scene, having managed to hold up over 30 years since its release. They did a remarkable job, especially when realizing this was being produced alongside Ghibli’s other feature film at the time, My Neighbor Totoro. Both impressive in their production, but ironically have conflicting views on innocence; where Totoro celebrates the blossoming times of childhood, here those wonders are short-lived; slowly crushed under the weight our leads are burdened with.
A brief overview of the synopsis would give the impression that Grave of the Fireflies is first and foremost an anti-war film, depicting the harsh nature and consequences of conflict for the audience to bear witness to. Takahata actively denied this notion, saying he intended the film as a glimpse into lives affected from society failing to protect its own people. Originally published in 1967 as a semi-autobiographical work, author Akiyuki Nosaka wrote Grave of the Fireflies as an apology. Having lived in Japan during World War II, he lost his home and father to the firebombing of Kobe, losing his sister Keiko to starvation soon afterward. The guilt and remorse Nosaka felt compelled him to write this story as a double-suicide, using Seita’s death as a way of atonement for his actions. Understanding the source material better
puts the film’s overall message into context.
Despite key events clearly coinciding with WWII, the film never places blame to either side of the war, nor is the enemy ever recognized as American.
