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^ McCallum, Jessica (March 3, 2017). "Attack on Titan Season 2 Streaming on AnimeLab April 2017!". AnimeLab. Archived from the original on February 19, 2021. Retrieved April 3, 2019. ^ Stevens, Josh A (December 22, 2017).

At Kōrakuen Hall, as Kimura's match was about to begin, Ippo went to scout on his opponent. However, he saw Ryūichi Hayami getting ready for his match. Hayami informed Ippo that he will create a legend. Ippo watched Hayami's match and was shocked when he loses. When Kimura's match began, Ippo's inexperience as a second showed, as he accidentally threw a chair into the crowd after the first round, then the next round, he placed the chair sideways. However, Ippo gave Kimura the advice he needed, resulting in Kimura and Ippo winning the match. Ippo celebrated his first win outside the Kōrakuen Hall, which irritated Hayami. After saying that he would become a legend and win for the people cheering, he asked why Ippo demoted himself as a "support role" and why he won't return to the ring. Ippo replied he simply has no reason to. Kimura asked if Ippo is okay with being a "support role", however Ippo never thought of what Kamogawa did as a being a "support role". At home, Ippo had a conversation with his mother how he believed that becoming second, walking next to Kamogawa and training boxers would remove the bad taste he left Kamogawa when leaving.

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Still, the threat is real, anthropomorphizing any number of actual natural disasters that have hammered Japan in recent years. (The country is situated at a kind of seismic epicenter, resulting in roughly 1,500 earthquakes annually!) What’s so smart about Shinkai’s script is the way it integrates the anxiety locals feel about such tremors with an appreciation of the country’s disappearing heritage, as represented in the sites where Suzume finds the portals: a shuttered middle school, a dilapidated amusement park and so on. To find the strength to close each door, Suzume must imagine the people who existed there before. And while she’s not afraid to die, she must rediscover the will to live. Shinkai brings a contemporary, youth-friendly feel to his films by collaborating with the rock band Radwimps, joined here by composer Kazuma Jinnouchi’s atmospheric instrumentations. The ethereal chanting track that accompanies Suzume’s gravity-defying showdown in the sky over Tokyo is a high point, as is the bouncy theme song. Shinkai also keeps things relevant by incorporating modern technology, like text messaging and social media: One running gag finds the mischievous Keystone becoming a viral sensation as people post photos of its cutesy antics online. The design of the cat Daijin will almost certainly remind “Puella Magi Madoka Magica” fans of the show’s naughty kitty, Kyubey. Structured as a road movie, “Suzume” invites audiences on a tour of Japan, bypassing familiar landmarks, like Mount Fuji, to concentrate on places that represent the country’s endangered heritage — each cloud and ruin lovingly rendered to deliver the soul-nourishing charge of a real-world sunset. So, come for Shinkai’s skies, stay for the feels. At first, the film may seem like little more than a succession of door-slamming showdowns, but in the end, Suzume has something more profound to say .