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"My Hero Academia,
Demon Slayer Rank on New York Times' October Graphic
Books Bestseller List". Anime News Network. Archived from the original on January 11, 2022. Retrieved July 4, 2022. November 2020: Sherman, Jennifer (November 5, 2020). "My Hero Academia, Demon Slayer Rank on New York Times' November Graphic Books Bestseller List". Anime News Network. Archived from the original on June 12, 2022. Retrieved July 4, 2022. December 2020: Hazra, Adriana (December 6, 2020). "My Hero Academia, Demon Slayer Rank on New York Times' December Graphic Books Bestseller List".
Gojo uses this opening and eliminates one thousand transfigured humans, leaving him exhausted. He is then confronted by the Prison Realm, but before he can escape its range, Geto
greets him, shocking him and causing all his memories to come rushing back to him; enough time passes in Gojo's mind for the Prison Realm to trap him completely. Before he is sealed away, Gojo refuses to acknowledge this as Geto's true identity. "Geto" undoes the set of stitches on his head to expose a mysterious brain with a mouth, revealing
that he transplanted his brain into Geto's body with his Cursed Technique to gain access to Geto's Curse Manipulation for his plans. Meanwhile, a Mechamaru-like ear-piece suddenly attaches itself to Yuji, alerting him to Gojo's current fate. 3410"Pandemonium"
Transliteration: "Konran" (Japanese: 昏乱)Yōsuke TakadaYōsuke TakadaReina IgawaSeptember 29, 2023 (2023-09-29)[e]N/A As he is about to be sealed away, Gojo addresses the real Geto, causing Geto's hand to start choking out his body, which surprises and amuses the imposter "Pseudo-Geto".
[17] A five-volume anime comic version created using scenes from the film adaptation was published between August 29 and December 6, 1988, with newly
painted covers by Otomo. [17] The colored version created for America by Marvel Comics was published in Japan in 12 volumes between October 7, 1988,[17] and September 20, 1996. English publication[edit] Otomo and Kodansha's Yasumasa Shimizu visited New York City in 1983 to meet with
Archie Goodwin of Marvel Comics, who had seen Akira and wanted to publish it in America. [25] Shimizu said that Kodansha had received offers from many other publishers, including the newly established Viz Media, but Otomo chose Goodwin because he was really close to French artists that Otomo was a fan of. [25] Otomo did not want Akira to be seen as some "strange thing from Japan," leading to a meticulous and now-"unimaginable" process of altering the art and coloring to make it accessible to American audiences. [25] Because Japanese manga is read right-to-left, the artwork had to be flipped to read the other way.
