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Mariama's kidnappers order Assane to steal a painting by Edouard Manet, currently in the illegal possession of a gang leader named Cisco. In disguise, Assane ingratiates himself with Cisco's gang, managing to gain a position as a getaway driver in a robbery that they are planning. With some help from gadgets designed by Benjamin, Assane double-crosses the gang, leaving them to be arrested by the police, and makes off with the painting, which he gives to Ferdinand, one of the kidnappers, at an arranged rendez-vous point. Having placed a tracking device made by Benjamin onto the painting, Assane impulsively decides to follow Ferdinand to try and locate Mariama. 144"Chapter 4"Daniel GrouGeorge Kay and François Uzan5 October 2023 (2023-10-05) While at work, Claire is informed that the doctor who examined Assane's body is not in the hospital's database. Beginning to have doubts about what happened to Assane, she finds Raoul's written attempts to prove that his father is alive, in which he has highlighted the name of the Arsène Lupin story Edith Swan-Neck. After a semi-incognito trip to the library, Claire acquires the book and, while reading it, stumbles upon the phrase "with Lupin, there's no such thing as death". Meanwhile, Assane is forced by the kidnappers to plan the theft of a bracelet belonging to Tara Xang, wife of real estate magnate Max Moller, both of whom will be appearing at a gala at the Château de Thoiry. In preparation, Assane shows Benjamin how to escape through a hedge maze on the grounds of the château. Assane and Benjamin appear at the gala, posing as footmen. Unbeknownst to Benjamin, the actual price that Mariama's kidnappers had demanded was his own imprisonment.

Retrieved April 11, 2022. ^ Harding, Daryl. "Akira Anime Film Producer Corrects 30-Year Fact on How Much the Groundbreaking Film Cost to Make". Crunchyroll. Archived from the original on June 10, 2020. Retrieved August 12, 2022. ^ 『ブルーロック』新ビジュアル&振り返りダイジェストムービー公開!. Animage+ (in Japanese). December 26, 2022. Archived from the original on January 4, 2023. Retrieved January 4, 2023.

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References[] ↑ Note: First issue was released in stores on December 2, 1986 - Weekly Shōnen Jump #940 - No. 1-2, 1987 ↑ 'JoJo' creator exhibits work at Gucci's Florence showroom - Asahi Shimbun ↑ http://www. araki-jojo. com/1151/ ↑ Top 10 Shonen Jump Manga by All-Time Volume Sales - Anime News Network ↑ Morioh Map (JoJolion) ↑ [Question for Araki-sensei! (13): "If you can describe JoJo in a single word"] - comipress. com, 2007 ↑ [Question for Araki-sensei! (9): "If You Can Describe Manga in A Single Word"] - comipress. com, 2007 ↑ JoJonium Special Interviews: Volume 8, Jotaro Kujo ↑ All Star Battle's Guidebook ↑ STARCOMICS - Acquista Online: http://www. starcomics. it/shop. aspx ↑ http://fr. wikipedia. org/wiki/J%27ai_lu ↑ http://www.
The characters felt interesting at first, but slowly also devolved into being rather gimmicky or generic. Gabimaru is the typical protagonist who starts out cold but ends up warming up to people and becomes more kind. For the female characters, there is a sense of empowerment that they were trying to go for, especially with Sagiri looking to escape gender norms and become a samurai, instead of the “norms” that this anime instills upon women. While on its own this would be a cool concept, the fact that all the female characters were so sexualized, and somehow getting saved via princess carry, defying all logic of physics by the men just felt a bit hypocritical to the potential message the show was trying to convey. Furthermore, people died before we could even really have a chance to know them, and adding a sad backstory to try and make us feel emotions just felt like such a weak way for characterizing them. At least the backstories weren’t too saturated after the first few episodes.