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Year Media content revenue in Japan Notes[c] Ref 2013 ¥14,700,000,000 ($151,000,000) Physical and digital media [151] 2014 ¥13,000,000,000 ($123,000,000) Physical and digital media [152] 2015 ¥7,308,359,519 ($60,377,697) Physical media only [153] 2016 ¥3,845,406,579 ($35,346,117) Physical media only [154] 2017 ¥4,196,052,143 ($37,409,258) Physical media only [155] 2018 ¥3,137,123,693 ($27,968,544) Physical media only [156] 2019 ¥2,598,783,077 ($23,839,933) Physical media only [157] 2020 ¥2,460,695,769 ($23,045,707) Physical media only [158] 2013 to 2020 ¥51,246,420,780+ ($482,716,387+) Critical response Many have analyzed Attack on Titan as representing "the hopelessness felt by young people in today's society". [2] Writer Mao Yamawaki called it a "coming-of-age story of the boys and girls at its core", with a new mystery every episode. It is these mysteries that critic Tomofusa Kure said amplifies readers' expectations. The artwork of the manga has been criticized as crude by some reviewers, with Isayama himself admitting his drawings are "amateurish". However, those same critics stated that after years of serialization, the art has been improving, and Kure believes that had the illustrations been "refined", it would not have conveyed the "eeriness" that is a key characteristic of the work. [2] In a short review, Jason Thompson noted how the characters conveniently receive "power-ups" to create plot twists, but concluded that these plot twists and the manga's post-apocalyptic world are "too good to miss". [159] Attack on Titan has gained a strong popularity not only in Japan, but also throughout the world. [160] For instance, coverage of the anime appeared on the front page of the Hong Kong free newspaper am730 on May 27, 2013, concerning its popularity within Hong Kong as well as in mainland China and Taiwan. [161] The series also attracted criticism: the South Korean Electronic Times magazine accused Attack on Titan of having a militaristic message that serves Japanese Prime Minister Shinzo Abe's political leanings. [162] Hong Kong media commentator Wong Yeung-tat praised Isayama's style and the versatility of Attack on Titan's setting, which opens itself to readers' various interpretations. [163] General Akiyama Yoshifuru, who bears a striking resemblance to Commander Dot Pixis In 2013, media linked to a 2010 blog post by Isayama indicating that the design of the character Dot Pixis was based on the Imperial Japanese General Akiyama Yoshifuru, whose war record included atrocities during Japanese occupation of Korea and China, such as allowing the Port Arthur massacre to occur.[Written by MAL Rewrite] StudioMadhouse SourceLight novel ThemeIsekai 8. 18 863K Add to My List Zero no Tsukaima 814504 7. 22 20060703 Zero no Tsukaima TV, 2006Finished 13 eps, 23 min Action Adventure Comedy Fantasy Romance Ecchi Zero no Tsukaima Louise Françoise Le Blanc de La Vallière is a self-absorbed mage in a world of wands, cloaks, and royalty. Although she studies at Tristain Academy, a prestigious school for magicians, she has a major problem: Louise is unable to cast magic properly, earning her the nickname of "Louise the Zero" from her classmates. When the first year students are required to perform a summoning ritual, Louise's summoning results in a catastrophic explosion! Everyone deems this to be yet another failure, but when the smoke clears, a boy named Saito Hiraga appears. Now Louise's familiar, Saito is treated as a slave, forced to clean her clothes and eat off the ground. But when an unfamiliar brand is found etched on Saito's hand from the summoning ritual, it is believed to be the mark of a powerful familiar named Gandalfr. Wild, adventurous, and explosive, Zero no Tsukaima follows Saito as he comes to terms with his new life and as Louise proves that there is more to her than her nickname suggests. [Written by MAL Rewrite] StudioJ. C. Staff SourceLight novel ThemesHaremIsekaiSchool 7.
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