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Visit MALxJapan MALxJapan -More than just anime- Your guide to 2024's Must-Read Manga is here 📖 Learn how to draw anime & manga from Japanese pros🎨 Answer the Anime & Manga Survey to help shape the future of streaming EditRelated AnimeAdaptation:Watashi no Shiawase na KekkonSide story:Watashi no Shiawase na Kekkon: Watashi no Shiawase na KatachiSequel:Watashi no Shiawase na Kekkon 2nd Season
More charactersCharacters & Voice Actors Kudou, Kiyoka Main Ishikawa, Kaito
Japanese Saimori, Miyo Main Ueda, Reina
Japanese Saimori, Kaya Supporting Sakura, Ayane
Japanese Yurie Supporting Kuwashima, Houko
Japanese Tatsuishi, Kazushi Supporting Fukamachi, Toshinari
Japanese Saimori, Shinichi Supporting Yanaka, Hiroshi
Japanese Saimori, Kanoko Supporting Ueda, Kana
Japanese Tatsuishi, Kouji Supporting Nishiyama, Koutarou
Japanese Tatsuishi, Minoru Supporting Horiuchi, Kenyuu
Japanese Kinjoutei Supporting Sugou, Takayuki
Japanese
More staff Staff Komatsu, Shouta Producer Yoshioka, Takuya Producer Kimura, Manabu Producer Ogiso, Masayasu Producer
Edit Opening Theme Preview Spotify Apple Music Amazon Music Youtube Music "Anata no Soba ni. (貴方の側に。)" by Riria. (りりあ。) Edit Ending Theme 1: "Anata no Soba ni. (貴方の側に。)" by Riria. (りりあ。) (ep 1) 2: "Vita Philosophica (ヰタ・フィロソフィカ)" by Kashitarou Itou (伊東歌詞太郎) (eps 2-12)
Reviews Write review 64 Recommended 44 Mixed Feelings 25 Not Recommended All reviews (133) Feb 23, 2024 sweetricepudding Recommended The love between husband and wife is shown very beautifully and sweetly in this anime. The simplicity of married life is shown, the romance that blooms from living together is portrayed. The beauty of masculinity and femininity is shown through the story and the simple sweetness of domestic life.
Saimorie miyo's voice acting is perfect and very well suited to the character. The actress who played her did a wondaful job. In some ways this story reminded me of In this corner of the world.

After Goblin Slayer’s shocking start that firmly established the story as a dark fantasy that supposedly takes itself seriously, the anime takes an odd change in tone that is rather baffling to understand. Numerous quests later in the series showcase characters in a way you would never have expected in Goblin Slayer, with an array of playful, trifling scenes one would more commonly associate with a slice-of-life anime than this show. Somehow the series decided to skip on possibly showing some of the effects trauma experienced from death, sexual assault or even just being an adventure can have on a person, instead these scenes barely contribute to the characters on a notable level. The change in tone can lead to breaks in one’s immersion of the story and the protagonist it follows, with transitions feeling awkward and out of place more often than not. A notorious example can be found in episode 2 where the episode cuts to a well-endowed redhead girl waking out of bed and stretching, followed by some of the most prominent jiggle physics to be found this season. I thought this was meant to be a serious tale. For a dark fantasy to work, usually it requires the atmosphere of a series to remain constant enough to a degree where the earnestness and consequences of actions can still be felt through the more cheerful scenes. Berserk, Attack on Titan and Fullmetal Alchemist 2003 are just some examples of dark fantasy anime that constantly have a sombre air about them, constantly felt when witnessing the actions of their characters. Goblin Slayer lacks this air that breezes alongside the narrative and whilst continuing to lack a strong sense of identity in a genre already spoiled by an abundance of generic fantasy, it is more inclined to leave a stale taste in the mouths of those hoping for Goblin Slayer to distance itself further from its contemporaries.
This lack of an identity also permeates the narrative and overarching worldbuilding to a degree that I have to address. When a series attempts to be subversive or even hold deconstructive elements to its genre, normally this involves acknowledging the well-established tropes typically associated to its genre, before supplanting their intentions.

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It sets itself to such a high standard that it could never keep, and then crumbles beneath its own weight not too long after. A similar thing happened with Bakemonogatari, but at least that one was short, and it collapsed as early as the third episode. Soul Eater managed to hold strong for seventeen episodes, and when it fell, the impact caused a second worldwide flood. The show became so boring that I had almost considered switching to the dub so that I could do something else while "watching. "
See, once episode 18 hits, the show goes from "wacky school antics" to "shallow bromantic EVA ripoff. " The main cast ends up under the school for twelve episodes and Maka (the main character) ends up flirting with this kid named Crona the entire time. Crona first appeared in episode six as what felt like a one-off miniboss-type meant to introduce the actual main villain, and instead he's here now, reintroduced as one of the main cast and pretty much only existent for the sake of having an emo character. Yeah, he has a tragic backstory and blah, blah, blah, but that's no excuse for almost single-handedly ruining the entire show.
From there on out, the only fun episodes until the end are the filler episodes. I'd say you should watch them, but it's not worth sifting through hours of filth just so you get a small bit of Excalibur. I'll admit that some of the fight scenes are really good, especially with that one guy who wrapped a chainsaw around himself, but most of the time I wasn't paying enough attention to even see them. He is a talented sketch artist and has aspirations to be an architect. He is short-tempered but well-meaning and kind. He spends time with Miki Okudera, working in a part-time job as a waiter at the Italian restaurant "Il Giardino delle Parole". [b] A running gag in the film is that whenever Taki wakes up and realizes he has swapped bodies with Mitsuha that day, he immediately begins to fondle "his" breasts in amazement, only stopping once Mitsuha's sister, Yotsuha, sees her. Mitsuha calls him out for the habit when they meet in person for the first time during twilight. Taki later appeared in Shinkai's next film Weathering with You. He lives with his father, who works at Kasumigaseki; Shinkai states, "I think his mother divorced his father a few years ago. "[9] Mitsuha Miyamizu (宮水 三葉, Miyamizu Mitsuha) Voiced by: Mone Kamishiraishi[6] (Japanese); Stephanie Sheh[8] (English) A high school girl dissatisfied with her life in Itomori, a mountainous and rural town of Gifu Prefecture, who was born on December 1, 1996. She is a 17-year-old student in her second year at Itomori High School, but in reality is three years older than Taki. Mitsuha is usually seen with her hair tied up with a dark red braided ribbon that she made by hand herself. She and her sister are maidens of the family shrine.