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Moleshark" 8. "Flying Human, Hopping Bunny" 9. "Beware, For Thine Enemies are Legion" 10. "The Stationery-Knight Queen" 11. "The Typhoon's Eye, Raging Inward" 12. "Things Move" 13. "Bearing Fruit" 14. "Aberrant Woodmage, The Fallen Divine" 15. "The 500-Limit Concerto and the Victory Seeker" 3 March 17, 2021[25][26]978-4-06-522220-1978-4-06-522219-5 (LE)August 3, 2021 (digital)
December 27, 2022 (print)[27]978-1-63699-289-1 (digital)
978-1-64651-484-7 (print) 16. "The 500-Limit Concerto and the Hopeful Dodger" 17. "The Egyptian Art Guy, Soaring Through the Air" 18.
In actuality, the series shows no signs of meta-commentary about this character chasing underage girls as a 21st-century first-world Japanese male inside a medieval fantasy world. The show instead fully embraces it and I suppose its only half-hearted attempt at self-awareness is always playing it off as laughs with the overreliance on vulgar humour. As with any joke, it stops being funny the nth time it's used. Rudeus is continuously shown to still have the mental age and awareness of a 34-year-old contemporary otaku through various forms of dialogue and his interactions with Man-God even depict him in his past-life state to reinforce that fact, yet the story does nothing meaningful about it in order to justify the very concept in which it's founded upon and lets him fully pursue his perversion. Moreover, it’s awfully convenient how the worldbuilding of this extremely derivative medieval fantasy setting is fine-tuned to the MC’s tastes (whilst pretending it’s vice-versa), such as the low age of consent, society’s liberal attitudes towards it, physically ageless lolis for him to obsess over (e. g.
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