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[75] The official website for the first Nintendo DS game launched on July 16, 2007, with the game being released a few months later on October 25. [78] A second game, titled Code Geass: Lelouch of the Rebellion Lost Colors, was developed for the PlayStation Portable and PlayStation 2, and released in Japan on March 27, 2008. [79] It is a visual novel game which follows a new protagonist named Rai (ライ), who suffers from amnesia. He has a Geass ability similar to Lelouch's, but activated by voice. The third game for the Nintendo DS is a collection of
minigames featuring chibi forms of the characters. The player moves along a board through dice rolls, landing on different spots to activate minigames. The minigames are parody-style events with multiple genres. These include helping Jeremiah
grow oranges, racing
against C. C. and Shirley in swimming, and a side-scrolling beat-em-up featuring Kallen in Guren-like armor. [citation needed] Code Geass R2 appeared in From Software (Demon's Souls, Armored Core) and Banpresto's PlayStation 3 exclusive mecha action game Another Century's Episode R, released in Japan in August 2010 and in which both versions of Suzaku's Lancelot, Lelouch's Shinkiro, both versions of Kallen's Guren, and C.
6/103. 4KYOUR RATINGRateTop creditsStarsChiaki KobayashiDaiki
HamanoReina Ueda20User reviews2Critic reviewsSee production info at IMDbProAwards1 win & 4 nominationsEpisodes12Browse episodesTopTop-rated1 Season2022Videos1Trailer 1:30Watch Official TrailerPhotos123Top castEditChiaki KobayashiYuuichi Katagiri12 eps • 202212 episodes • 2022Daiki HamanoTenji Mikasa12 eps • 202212 episodes • 2022Reina UedaMaria Mizuse12 eps • 202212 episodes • 2022David MatrangaYuichi12 eps • 202212 episodes • 2022Shizuka ItouTsukino11 eps • 202211 episodes • 2022Monica RialTsukino11 eps • 202211 episodes • 2022Yume
MiyamotoShiho Sawaragi9 eps • 20229 episodes • 2022Tomohiro OnoMakoto Shibe9 eps • 20229 episodes • 2022Satomi AmanoYutori Kokorogi9 eps • 20229 episodes • 2022Caitlin GlassShiho9 eps • 20229 episodes • 2022Dani ChambersYutori9 eps • 20229 episodes • 2022Minami TakayamaManabu-kun8 eps • 20228 episodes • 2022ChafûrinManabu-sensei6 eps • 20226 episodes • 2022Nana MizukiReiko Tamai6 eps • 20226 episodes • 2022Tomoaki MaenoManabu-gunso5 eps • 20225 episodes • 2022Kishô TaniyamaHyakutaro Onigawara5 eps • 20225 episodes • 2022Tetsuya KakiharaChisato Hashiratani5 eps • 20225 episodes • 2022Kenshô OnoKei Shinomiya5 eps • 20225 episodes • 2022All cast & crewProduction, box office & more at IMDbProMore like this7. 7歡迎來到實力至上主義的教室6. 7Tomodachi gêmu: Gekijouban Final6. 6Tomodachi Game8. 2藍色監獄6.
Sonny Boy’s at least a show that’s easy to appreciate on a stylistic level. Eguchi Hisashi, who hasn’t designed anime characters since the turn of the millennium, created a very distinctly designed cast in spite of their similarities from the head down. The way characters’ faces look avoids following the lazy expectation for modern anime art direction. Most episodes have some sort of impressive visual flex, like Episode 2 with the atmosphere established by the paper-looking blue fire, though particularly Episode 5 and Episode 8 for their specific style of animation and shading when distinguishing the mental realms. The mental twisting of
many dimensions of pattered color is a particular animation highlight whenever it comes up, the bus flying through it in Episode 9 like it were The Magic School Bus’s serious YA adaptation. It does tend to shortcut with several static shots of faceless characters, but it has an especially unique choice for background characters in them being shaded like the type of “anime minimalist wallpaper” you can easily find on Google Images. There’s this scrapbook uncanniness to some of the scenes while avoiding the scrunched-up outlines often seen on characters out of focus, adding to the many wallpaper-worthy shots appearing throughout.
At times the visual direction could be dull when not much was happening on screen, when it just hard cut between cast members starring into the screen trying to comprehend the tangle of plot with music missing, but it feels like that freedom of design is what Shingo
Natsume saw with this entire series.
This might sound negative, and as far as personal investment in the choices made with the runtime that exists, it is, but I implore you to check out this show if you think its distinctiveness appeals to you. What I’ve been saying about how loose and overambitious the writing feels in light of the visual pizazz is something that only could’ve come from an anime original, a longtime animator writing a script for the first time with that rawness and passion radiating forward at the extent of understanding how to meet the audience halfway. That freedom is worth cherishing.
