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Retrieved May 3, 2022. ^ シャングリラ・フロンティア(8)エキスパンションパス ~クソゲーハンター、神ゲーに挑まんとす~ (in Japanese). Kodansha. Archived from the original on April 25, 2022. Retrieved May 3, 2022. ^ "Shangri-La Frontier, Volume 8". Kodansha USA. Archived from the original on January 28, 2024. Retrieved November 27, 2022. ^ シャングリラ・フロンティア(9) ~クソゲーハンター、神ゲーに挑まんとす~ (in Japanese). Kodansha.

m. , and then submit the completed chapter at 8 a. m. Monday morning. When Otomo began production on the anime film adaptation of Akira, he said the manga had a weekly schedule of 20 pages a week. So he hired a second assistant to help, and occasionally brought in a third just to handle the screentone. "When the manga deadline drew near, we’d pull several all-nighters, then I’d walk right into the anime studio the day after. "[14] Manga artist and film director Satoshi Kon was an uncredited assistant on the series. [19] The image model for the character Akira was Shōryū from Saiyūki (1960). Otomo liked his sorrowful expression and used him as a reference after deciding to make Akira a child. [17] While editing his film Jiyū wo Warera ni, Otomo would often hear someone in the studio next door yell "Akira!", which he took to be the name of the assistant director.

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Akita Shoten. Retrieved December 16, 2018. ^ "範馬刃牙 10. 5 外伝 ピクル". Akita Shoten. Retrieved December 16, 2018. ^ "Baki Gets New Isekai Spinoff Manga Starring Retsu Kaioh". Anime News Network. October 6, 2020. Retrieved October 7, 2020. ^ "Takaaki Hayashi Launches New Baki Gaiden Manga in October". Meanwhile, Matahachi's mother passes away, leaving his son to tell the story of the manga. Musashi's new wandering leads him meet the orphan Iori, whom he decides to raise while dealing with a village with poor fields. Musashi, Iori and Toyozaemon's journey to the retirement estate of Yūsai Hosokawa, Otsū and Jōtarō's situation living with the Yagyū, while Kojirō deals with the Hosokawa. Production[edit] While borrowing content from the Musashi novel, Takehiko Inoue took liberties when writing Vagabond, most notably the fight between the protagonist and the 70 Yoshioka which was one of the hardest to draw. After finishing the basketball manga Slam Dunk, Takehiko Inoue wanted to write something more realistic. He did not find differences between the basketball players and samurais since he claimed that none of them like losing.