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98 637K Add to My List IS: Infinite Stratos 636088 6. 62 20110107 IS: Infinite Stratos TV, 2011Finished 12 eps, 24 min Action Comedy Romance Sci-Fi Ecchi IS: Infinite Stratos An exoskeleton weapon engineered by Japan, Infinite Stratos (IS) can be piloted only by women. Its power and combat prowess are so immense that an international treaty has been signed banning its use as a military asset. When it is discovered that 15-year-old Ichika Orimura is the only male capable of steering an IS, he is forcibly enrolled in the Infinite Stratos Academy: an all-female boarding school, the students of which graduate to become IS pilots. At this training school, Ichika is reunited with two of his childhood friends, Houki Shinonono and Lingyin Huang, and befriends Cecilia Alcott, an IS representative from the United Kingdom. Guided by the legendary pilot Chifuyu Orimura—their strict homeroom teacher and Ichika's older sister—Ichika and the girls will need to use everything at their disposal to defend themselves and their academy against the dangers that will arise during the course of their thrilling school life.

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When he got back to Japan, he gave Kumi, Takamura, Aoki, Kimura, Itagaki, Taihei, Kintarō, Kamogawa and Yagi masks. During his visit to the Kamogawa gym, when Kimura took off his Kappa mask, everyone, including Ippo laughed as Kimura already has a Kappa hairstyle, which made Ippo feel at home. That night, Ippo went to see Kamogawa and Yagi at the gym's office. When Kamogawa asked Ippo if his trip to Mexico was of any use, Ippo answered that he sees why Mexico is the kingdom of the lighter weight classes and that Sendō was amazing, knowing that he will be able to figure something out against Ricardo. Ippo mentioned to Kamogawa that on the way home to Japan, he fought Ricardo a hundred times in his head, and, after the 95th time, he decided that if he took him to a close range punching match, there was some hope as Ricardo would have an opening for him to push through. Kamogawa asked Ippo about a 101st time, but Ippo noted that if one thinks hard about it, even in a match where everyone thinks it is impossible to win, if they have one hint, they can open a path, adding that the opponent is human, so as long as one keeps moving their body and head, nothing is impossible. As Ippo concluded that that is what he learned and plans to tell new boxers in the present and future, he thanked Kamogawa before leaving. Keith Dragon Arc Ippo looking over Dragon's profile. At the Kamogawa gym, after doing mitt practise with Taihei, Ippo learned from Aoki and Kimura that Takamura is going to challenge the WBC super middleweight title. With Ippo excited to hear the news, Yagi told him that it will take place in Japan and gave him the champion's profile, which was in English. With the help of Itagaki, Ippo managed to translate it to Japanese for the gym members that the champion's name is Keith Dragon, along with his boxing information. [198] The series was also awarded the eighteenth Nihon SF Taisho Award and the Excellence Award at the first Japan Media Arts Festival in 1997,[199][200] while the film ranked sixth on Wizard's Anime Magazine on their "Top 50 Anime released in North America". [201] In the August 1996 issue of Animage, Evangelion characters placed high in the rankings of best characters with Rei ranked first, Asuka third, Kaworu fourth and Shinji sixth. Rei Ayanami won in the Female Character category in 1995 and 1996 and Shinji Ikari won the Male Character category in 1996 and 1997. [202] In 2010, Newtype magazine recognized Rei Ayanami as the most popular character of the 1990s in the female category, and Shinji Ikari in the male category. [203] "A Cruel Angel's Thesis" won the Animage award in the Best Song category in 1996,[188] and TV Asahi recognized it as the eighteenth best anime song since 1990. [204] TV Asahi also recognized the "suicide of Ayanami Rei" as the ninth most touching anime scene ever. [205] Influence and legacy[edit] Evangelion has had a significant impact on Japanese popular culture. [175][206] The series also had a strong influence on anime, at a time when the anime industry and televised anime series were in a slump period. [160] CNET reviewer Tim Hornyak credits the series with revitalizing and transforming the giant mecha genre. [207] In the 1980s and 1990s, Japanese animation saw decreased production[208] following the economic crash in Japan. [209] This was followed by a crisis of ideas in the years to come.