sasaki to miyano chapter 47 bato
The two protagonists, Kiruko and Maru are seemingly looking for this place, which they call “Heaven”, and
along the way they encounter many intriguing things, as tales on the inside of the nursery and outside get told. Themes around human nature, companionship, and the search for meaning can be seen in both settings, which made for great parallels and comparisons between both the children and the protagonists of the outside world. It was quite interesting seeing the stories of both the nursery and the outside world being told side by side with one another, not relying on info dumps or conventional flashback sequences to understand the lore of the world.
Not only is it very thought-provoking, it also looks and sounds incredible, with an audiovisual experience that always had me paying attention and sometimes on the edge of my seat. The directing is phenomenal in really setting the atmosphere and the eerie tone in the more important scenes, but also can change into a very light tone in more comedic scenes. The backgrounds show us the backdrop of urban decay, rather than just flat out telling us. The soundtrack contributes to the atmosphere a lot too, as Kensuke Ushio, who composed music for anime like Chainsaw Man, A Silent Voice, and The Dangers in My Heart, did a great job yet again here to convey the occasional emotional gut punch, or to get us even more uncomfortable in a horrifying sequence. Everything about the production overall was at a very high level, and after seeing the staff behind it, I can see why. It was truly a legendary team of people producing a passion project from start to finish, with the art director
Yuji Kaneko, numerous elite episode directors and storyboarders in Haruka Fujita, in which it’s her first work outside of Kyoto Animation, Kai Ikarashi, who worked on Cyberpunk: Edgerunners as well as the Turning Point episode of Mushoku Tensei, and also Toshimasa Ishii, who directed 86: Eighty-Six. I would also love to shout out Hirotaka Mori, since it was his directorial debut in the anime sphere.
The characters were quite a strong part of the series as well, with Kiruko and Maru’s relationship and chemistry being quite the highlight of the show.
It’s not winning any literary prizes. But the show is honestly really fun, and the MC is interesting enough to never truly drop your interest. 31. Cautious Hero: The Hero Is Overpowered but Overly Cautious Isekai titles really just get to the point, don’t they? So yeah, the protagonist is extremely overpowered but is really cautious, how does that work as a plot hook? Extremely well actually. The humor is very absurd, like the protagonist blowing up an entire village just
because he wanted to make sure that he properly killed that level 1 slime, and very unpredictable. The secondary protagonist also has that Aqua vibe, and her voice actress is just top tier. Trust me, you will binge the show and leave with no regrets. 30. The Familiar of Zero So, what
twist does The Familiar of Zero bring to the isekai table? The MC likes video games, check. The MC is overpowered, check. He’s basically a slave to the girl that summoned him.
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