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[26] Research by Dan Ariely found that American women exhibit a marked preference for dating taller men and that for shorter men to be judged attractive by women, they must earn substantially more money than taller men. [27] Some research has suggested that the "beauty premium" for a job largely depends on whether or not attractiveness could potentially enhance productivity, such as those jobs which require substantial interpersonal interaction, while jobs that do not demand this see minimal or no beauty premium. [28] Men show a strong preference for physical attractiveness over intelligence when choosing a mate, as shown in a study conducted over data from a speed dating experiment. [29] In a study with 4,573 adult participants it was shown that physical attractiveness is the most valued quality in women, even when considered outside of the context of mate selection. [30] Research indicates that more attractive individuals are at greater risk of being a victim of crime due to being involved in more social interaction, increasing their risk of exposure. Greater physical attractiveness can also lead individuals to be at greater risk of sexual abuse, regardless of gender. [31] Ethics[edit] In the article "Is Lookism Unjust", Louis Tietje and Steven Cresap discuss when discrimination based on looks can legitimately be described as unjust. [32] Tietje and Cresap quote evidence that suggests there exists "a 7–to–9 percent 'penalty' for being in the lowest 9 percent of looks among all workers and a 5 percent 'premium' for being in the top 33 percent". While accepting that the evidence indicates that such discrimination does occur, the authors argue that it has been pervasive throughout history and that judgments of aesthetics appear to be a biological adaptation (rather than culturally conditioned) to aid reproduction, survival, and social interaction, allowing people to determine viable mates (level of attractiveness being indicative of health) and the status of others as "friend or enemy, threat or opportunity". The authors also argue that if physical attractiveness can improve a company's success, then awarding people for it is justifiable, as the trait is thus relevant to the job and discrimination only occurs when irrelevant traits are used. In addition, the authors question the practicality of both redressing any injustices based on lookism and of determining whether such injustices have in fact occurred.

Slump: "Hoyoyo!" Space Adventure Arcadia of My Youth Future War 198X 1983 Dr. Slump and Arale-chan: Hoyoyo! The Great Race Around the World Final Yamato Patalliro! Stardust Keikaku 1984 Papa Mama Bye bye The Kabocha Wine: Nita no Aijou Monogatari Kinnikuman: Stolen Championship Belt Dr. Slump and Arale-chan: Hoyoyo! The Secret of Nanaba Castle Great Riot! Seigi Choujin 1985 Arei no Kagami Gu Gu Ganmo Seigi Choujin vs. Ancient Choujin Tongari Bōshi no Memoru Counterattack! The Underground Space Choujin Dr. Slump and Arale-chan: Hoyoyo! The City of Dreams, Mechapolis Odin: Photon Sailer Starlight GeGeGe no Kitarō: The Yokai Army Hour of Triumph! Justice Superman 1986 Fist of the North Star GeGeGe no Kitarō: The Great Yokai War Crisis in New York! GeGeGe no Kitarō: The Strongest Yokai Army!! Disembark for Japan! Maple Town Dragon Ball: Curse of the Blood Rubies GeGeGe no Kitarō: Clash!! The Great Rebellion of the Dimensional Yokai Justice Supermen vs. Fighter Supermen 1987 New Maple Town Stories: Home Town Collection Dragon Ball: Sleeping Princess in Devil's Castle Saint Seiya: The Movie 1988 Bikkuriman: Taiichiji Seima Taisen Lady Lady!! Saint Seiya: The Heated Battle of the Gods Bikkuriman: Moen Zone no Himitsu Dragon Ball: Mystical Adventure Tatakae!! Ramenman Saint Seiya: Legend of Crimson Youth Sakigake!! Otokojuku 1989 Himitsu no Akko-chan Saint Seiya: Warriors of the Final Holy Battle Hengen Taima Yakō Karura Mau! Nara Onryō Emaki Akuma-kun Dragon Ball Z: Dead Zone Himitsu no Akko-chan Umi da! Obake da!! Natsu Matsuri Not including Madhouse-animated features produced by Toei
Category Authority control databases MusicBrainz work Retrieved from "https://en. wikipedia. org/w/index. php?title=Fist_of_the_North_Star_(1986_film)&oldid=1209991812" Categories: 1986 films1986 anime films1986 martial arts films1980s science fiction action filmsAnime films based on mangaDiscotek MediaFilms directed by Toyoo AshidaAnimated films set in the futureAnimated films set in the 1990sFist of the North Star filmsJapanese animated science fiction filmsJapanese post-apocalyptic filmsJapanese martial arts filmsAnimated post-apocalyptic filmsJapanese adult animated filmsJapanese splatter filmsToei Animation filmsFilms scored by Katsuhisa HattoriHidden categories: Pages with non-numeric formatnum argumentsArticles containing Japanese-language textArticles with short descriptionShort description is different from WikidataTemplate film date with 1 release dateArticles with hAudio microformatsAlbum articles lacking alt text for coversPages using track listing with unknown parametersArticles with MusicBrainz work identifiers This page was last edited on 24 February 2024, at 13:37 (UTC). Text is available under the Creative Commons Attribution-ShareAlike License 4. 0; additional terms may apply.

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"27. Akira (1988)". The 50 Best Sci-Fi Movies. Archived from the original on September 4, 2012. Retrieved August 4, 2012. ^ a b c d "What is cyberpunk?". Polygon. August 30, 2018. Archived from the original on October 14, 2018. Retrieved October 14, 2018. ^ a b c d e "'Akira' Is Frequently Cited as Influential. The series began airing Sunday mornings on Nippon TV starting October 2, 2011. [94] It switched to airing at 1:29 am on Tuesday nights from October 8, 2013, onwards. [95] The series ended on September 23, 2014, after 148 episodes. [96] An hour after each episode aired in Japan, American website Crunchyroll provided English subtitled simulcasts in the United States, Canada, the United Kingdom, Ireland, South Africa, Australia, and New Zealand. [97] The series started airing on Animax Asia on April 24, 2012. [98] On October 9, 2015, Viz Media announced their license to the series at their panel at New York Comic Con.