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com, 22 mars 2017 (consulté le 8 mars 2018) ↑ (en) « That Time I Got Reincarnated as a Slime Light Novels Get Fall TV Anime », sur Anime News Network, 7 mars 2018 (consulté le 7 mars 2018) ↑ (ja) « STORY », sur ten-sura. com (version du 8 juin 2018 sur Internet Archive) ↑ (en) Crystalyn Hodgkins, « Roundup of Newly Revealed Print Counts for Manga, Light Novel Series (September) - Updated : Re:Zero, Berserk, Kagerou Daze, That Time I Got Reincarnated as a Slime, Haikyu!!, My Hero Academia, Trinity Seven, more », sur Anime News Network, 29 septembre 2018 (consulté le 26 novembre 2018) ↑ (ja) « TVアニメ 第2期 2020年10月より放送開始!! », sur Site officiel, 22 mars 2020 (consulté le 22 mars 2020) ↑ (ja) « 月刊少年シリウス 2020年8月号 [2020年6月26日発売] |無料試し読みなら漫画(マンガ)・電子書籍のコミックシーモア », sur cmoa. jp (consulté le 20 août 2020) ↑ (en) Kim Morrissy, « That Time I Got Reincarnated as a Slime Gets Full-Page Ad in Yomiuri Shimbun Newspaper », sur Anime News Network, 26 novembre 2018 (consulté le 26 novembre 2018) ↑ (en) Egan Loo, « Top-Selling Light Novels in Japan by Series: 2018 : Overlord sells 807,693, followed by Sword Art Online & Progressive, Konosuba, The Irregular at Magic High School, Re:Zero », sur Anime News Network, 29 novembre 2018 (consulté le 30 novembre 2018) ↑ (en) Egan Loo, « Top-Selling Light Novels in Japan by Series: 2019 : That Time I Got Reincarnated as a Slime sells 879,734, followed by Weathering With You, Sword Art Online, Re:Zero, Seishun Buta Yarō », sur Anime News Network, 27 novembre 2019 (consulté le 28 novembre 2019) ↑ (en) Egan Loo, « Top-Selling Manga in Japan by Series: 2019 : Oricon: Demon Slayer: Kimetsu no Yaiba sells 12 million to end One Piece's 11-year reign », sur Anime News Network, 27 novembre 2019 (consulté le 28 novembre 2019) ↑ (en) Egan Loo, « Top-Selling Light Novels in Japan by Series: 2020 (First Half) : Demon Slayer: Kimetsu no Yaiba sells 1. 2 million, followed by Sword Art Online, That Time I Got Reincarnated as a Slime », sur Anime News Network, 28 mai 2020 (consulté le 28 mai 2020) ↑ (en) Egan Loo, « Top-Selling Light Novels in Japan by Volume: 2020 (First Half) : Demon Slayer: Kimetsu no Yaiba is 1st novelization to take top 2 spots, followed by Overlord, SAO », sur Anime News Network, 28 mai 2020 (consulté le 28 mai 2020) Liens externes[modifier | modifier le code] Sur les autres projets Wikimedia : Moi, quand je me réincarne en Slime, sur Wikimedia Commons (ja) Tensei shitara slime datta ken sur Shōsetsuka ni narō (ja) Site officiel (ja) Tensei shitara slime datta ken sur Micro Magazine (ja) Tensei shitara slime datta ken sur Monthly Shōnen Sirius Moi, quand je me réincarne en Slime sur Kurokawa (ja) Site officiel de l'anime (ja) Site officiel de l'adaptation anime de Tensura nikki Moi, quand je me réincarne en Slime sur Crunchyroll (ja) Site officiel du jeu vidéo (en) That Time I Got Reincarnated as a Slime (light novel) (manga) sur Anime News Network (en) That Time I Got Reincarnated as a Slime (manga) sur Anime News Network (en) That Time I Got Reincarnated as a Slime (anime) sur Anime News Network v · m8-Bit Séries télévisées IS <Infinite Stratos> (2011) Aquarion Evol (en)Co (2012) Busou Shinki (2012) Yama no susume (en) (2013) IS <Infinite Stratos> 2 (2013) Walkure Romanze: Shōjo kishi monogatari (en) (2013)
Tokyo Ravens (2013–2014) Yama no susume 2nd Season (en) (2014) Le Fruit de la
Grisaia (2014) Absolute Duo (2015) The Eden of Grisaia (2015) Comet Lucifer (en) (2015) Shōnen Maid (en) (2016) Rewrite (2016–2017) Knight's & Magic (2017) Miira no kaikata (ja) (2018) Yama no susume 3rd Season (en) (2018) Moi, quand je me réincarne en Slime (2018–2019) Stars Align (2019) Je la vois déjà en haut de l'affiche (2020) Mahōka kōkō no rettōsei: Raihōsha-hen (2020) Moi, quand je me réincarne en Slime 2 (2021) Moi, quand je me réincarne en Slime : The Slime Diaries (2021) Yama no susume Next Summit (en) (2022) Blue Lock (2022) Shy (À venir) Films d'animation Macross Frontier the Movie: The False SongstressCo (2009) Le Labyrinthe de la Grisaia (2015) The Irregular at Magic High School The Movie: The Girl Who Calls the Stars (2017) The Irregular at Magic High School: Reminiscence Arc (2021) OAV IS <Infinite Stratos>: Koi ni kogareru rokujūsō (2011) IS <Infinite Stratos> 2: Long Vacation Edition (2013) IS <Infinite Stratos> 2: World Purge-hen (2014) Yama no susume: Omoide no Present (en) (2017) Moi, quand je me réincarne en Slime 2 (2019–2020) Co : Coproduction Portail de la littérature Portail de l'animation et de la bande dessinée asiatique Portail de la fantasy et du fantastique Ce document provient de « https://fr. wikipedia. org/w/index.
Generally, his artstyle is more cartoony/surreal than anything else. Fujiko Fujio's art (both together and apart as Fujiko F and Fujiko A) tends to retain the exaggerated features, clean lines, and button-nose cuteness of western children's cartoons. This even extends to works aimed at the adult crowd (such as Laughing Salesman), but they're still seen as one of the landmark examples of manga's influence on Japan. Pingu In The City, a Japanese-made reboot of Pingu is animated entirely in 3D and rendered in a way to emulate the stop-motion look of the original series, but uses some anime tropes such as a slower frame rate in some scenes and the characters do make the odd face faults. Anime & Manga The '70s and '80s saw many mangas inspired by contemporary American and European media, some even set in America. Space Adventure Cobra is like Barbarella meets Eagle Land, and Mad Bull 34 is Eagle Land incarnate. Given its nature as a multi-vignette show for a young audience, Folktales From Japan features a wide variety of animation designs, most of which cartoony in nature and several in particular rather western. Very rarely does it actually look like anime. JoJo's Bizarre Adventure is heavily influenced by American comics. While not specifically western (indeed, it more closely resembles Chinese/Korean animation in aesthetics), One Stormy Night is still much closer to your average western animated feature than traditional anime. Bambi and Her Pink Gun is so visually influenced by the aesthetics of American comics that only the onomatopoeia give it away as an original Japanese creation.
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