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[99][100] Several politicians even used motifs and patterns from the series in their campaigns in 2021. [101][102] Critical reception[edit] Writing for Monsters and Critics, Patrick Frye wrote that the anime adaptation is "praised [for] the animation quality and flowing battle scenes that integrate digital effects seamlessly" while noting that "some fans have complained about weird story pacing issues thanks to flashbacks and some slow moments, but everyone agrees that once the action picks up, it's amazing. "[103] Writing for Anime News Network, James Beckett highlighted Episode 19 by noting it was "a thrilling showstopper of an episode, showing off ufotable's considerable skills as producers of nearly unrivaled action spectacle. "[104] The anime series has been considered as one of the best anime of the 2010s. Polygon's Austen Goslin wrote that "Few shows over the last 10 years have so clearly or unabashedly made fights their focus, and absolutely none of them have done it as well as Demon Slayer". [105] Crunchyroll listed it in their "Top 25 best anime of the 2010s", with reviewer Daniel Dockery commenting, "From the top-notch action choreography to the understated (and sometimes not so understated) emotional moments, to the infinitely meme-able Inosuke, Demon Slayer can be a wonder to behold".

Genya confuses Sekido and Aizetsu with his inhuman resistance to normally fatal wounds. Nezuko burns Karaku and uses his own uchiwa against him, blasting him away. Sekido immobilizes Nezuko by shocking her in place with his khakkhara. Tanjiro uses Urogi to reach Nezuko and Genya and avoids Sekido's attacks by using Urogi's foot, which cannot conduct the electricity from his khakkhara as they share the same cells. Tanjiro frees Nezuko but both are incapacitated when Karaku pins them with a blast from his uchiwa. More fish demons attack the village as Mitsuri makes her way to rescue the swordsmiths.

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My Little Pony (G3) was often described in its heyday as an animesque take on the characters, specifically their character designs. My Little Pony: Tell Your Tale retains the anime-esque elements through their expressions. Neo Yokio is an American production co-animated by Studio DEEN and Moi Animation to boot. The style imitates anime of the early 2000s, complete with frequently off-model characters, flat coloring, and many hallmarks of the genre that have fallen out of favor like sweat drops, nosebleeds, and chibification. It also seems to reference low budget anime dubbing, with poor lip syncing and voice acting of varying quality. The New Adventures of He-Man has some pretty clear anime influence in its Title Sequence, and some episodes actually have sweat dropping and other signature anime quirks! OK K. O. ! Let's Be Heroes: The show's creator describes its style as combining decidedly-American character/art designs and Limited Animation with the visual effects and snappier editing more common in anime, especially the older type. He dubs this mix of styles "Hanna Barbanime", citing Steven Universe (which he previously worked on) as another example, and credits Dexter's Laboratory with inventing the concept. The opening sequence is very reminiscent of Hiroyuki Imaishi's work at Studio Gainax and Studio TRIGGER. It helps that the man himself did the storyboards.
After fully enjoying an open-air bath, I got back to my room. There, I found it completely different.
↑ (en) Izzy Schifano, « There was a rape scene in Bridgerton and no one seems to have realised », The Tab,‎ 4 janvier 2021 (lire en ligne). ↑ Melanie Bonvard, « La chronique des Bridgerton : cette scène de viol en dit long sur la représentation des violences sexuelles à l’écran », Auféminin,‎ 19 janvier 2021 (lire en ligne). ↑ a et b (en) Aja Romano, « Bridgerton has a rape scene, but it’s not treated like one », Vox,‎ 26 décembre 2020 (lire en ligne). ↑ Kalindi Ramphul, « « La Chronique des Bridgerton » : de bonnes intentions gâchées par une niaiserie d’un autre temps », madmoiZelle. com,‎ 5 janvier 2021. ↑ (en) Jean Bentley, « How Bridgerton Pulled Off Its Steamy Taylor Swift Sex Montage », sur The Hollywood Reporter, 6 janvier 2021. ↑ (en) Adrienne Westenfeld, « Bridgerton Creator Chris Van Dusen Explains the Show's Most Controversial Sex Scene », Esquire,‎ 11 janvier 2021 (lire en ligne). ↑ (en-US) Ellise Shafer et Ellise Shafer, « ‘Bridgerton: The Musical’ Blew Up on TikTok. Could Broadway Be Next? », sur Variety, 29 janvier 2021 (consulté le 14 avril 2022) ↑ « THE UNOFFICIAL BRIDGERTON MUSICAL Wins Best Musical Theater Album | 2022 GRAMMYs Acceptance Speech » (consulté le 14 avril 2022) ↑ (en-US) Julia Jacobs, « TikTok to the Grammys: How a ‘Bridgerton’ Musical Beat Broadway », The New York Times,‎ 4 avril 2022 (ISSN 0362-4331, lire en ligne, consulté le 14 avril 2022) ↑ (en) « Ocean Away - Abigail Barlow, Emily Bear & Darren Criss | The Kennedy Center at 50 | Kennedy Center », sur The Kennedy Center (consulté le 14 avril 2022) ↑ (en) « TikTok stars win Grammy for ‘Unofficial Bridgerton Musical’ », sur TODAY. com (consulté le 14 avril 2022) ↑ (en) « TikTok stars Abigail Barlow and Emily Bear perform ‘Burn For You’ », sur TODAY. com (consulté le 14 avril 2022) ↑ a et b Doriane Kiniali, « Queen Charlotte - A Bridgerton Story (Netflix) : date de sortie, casting, intrigues.