re zero if scan one.piece scan 1075

re zero if scan jungle juice platinum potions

"[112] In his 2018 review of the series, Paste critic John Maher wrote, "It feels like a magnum opus produced at the pinnacle of a long career despite being, almost unbelievably, Watanabe's first series as a director. It is a masterwork that should justly rank among the best works of television of all time. " It was also placed at #1 on the publication's list of the "50 Best Anime Series of All Time". [113] On review aggregator Rotten Tomatoes, the series has an approval rating of 100% based on 23 reviews, with an average rating of 8/10. The website's critical consensus reads, "Blending a head-spinning array of genres and references, Cowboy Bebop is an anime television classic that must be experienced. "[114] In an April 2019 interview with Diego Molano, creator of Victor & Valentino, he said that Cowboy Bebop was the first anime he "obsessed over", as he spent time tracking down VHS tapes of the show in high school. [115] He also argued that this series showed him "how cinematic and emotional animation can be". Accolades[edit] In the 1999 Anime Grand Prix awards for the anime of 1998, Cowboy Bebop won two first place awards: Spike Spiegel was awarded the best male character; and Megumi Hayashibara was awarded the best voice actor for her role as Faye Valentine. Cowboy Bebop also received rankings in other categories: the series itself was awarded the second best anime series; Faye Valentine and Ed were ranked the fifth and ninth best female characters respectively; "Tank!" and "The Real Folk Blues" were ranked the third and fifteenth best songs respectively; and "Ballad of Fallen Angels", "Speak Like a Child", "Jamming with Edward" and "Mish-Mash Blues" were ranked the second, eighth, eighteenth and 20th best episodes respectively. [116] In the 2000 Anime Grand Prix awards for the anime of 1999, Cowboy Bebop won the same two first place awards again: best male character for Spike Spiegel; and best voice actor for Megumi Hayashibara. Other rankings the series received are: second best anime series; sixth best female character for Faye Valentine; seventh and twelfth best song for "Tank!" and "Blue" respectively; and third and seventeenth best episode for "The Real Folk Blues (Part 2)" and "Hard Luck Woman" respectively.

[72] A mobile gacha RPG titled KonoSuba: God's Blessing on this Wonderful World! Fantastic Days[Jp. 16] was released for iOS and Android devices on February 27, 2020. [73] It was developed by CyberAgent subsidiaries Sumzap, with Nexon Korea handled the global release, in which the mobile game launched worldwide outside Japan on August 19, 2021. The latter announced that they've transferred the global publishing rights over to Sesisoft, which is set to take effect on June 1, 2023. [74] Audio CDs[edit] A radio drama CD, featuring a different voice cast to the anime, was released by HobiRecords on March 1, 2015. [75] A second drama CD, along with an original soundtrack by Kouda Masato and a character song album, was released in March 2017.

[SMALL-TEXT]]

kantai collection

When the spar began, Ippo tested a regular feint on Takamura before landing a full-force blow on him accidentally. Ippo then dodged Takamura's full swings until Ippo became confused when he saw a punch coming, but it never came, realising that that was the Sakki. Seeing as Ippo had figured out the Sakki, Takamura stopped the spar. That night, Ippo compared Kamogawa and Nekota not accepting their last match ending in a draw with him feeling as if his fight against Sendō never ended. On the final day of the training camp, tirelessly did mitt training with Kamogawa and then went back to chopping wood after. Ippo was visited by Nekota, who understood how Ippo felt fighting a man more than once. Ippo asked him how a rematch felt like, which he then learned to look at his opponent's eyes to know their state. As night came, Takamura had not returned from his roadwork. Beginning to worry about Takamura running into a bear, Ippo wondered if he could defeat one. When an injured Takamura returned and claimed to have knocked a bear out, Ippo wrapped up Takamura's wounds with bandages. Nekota then brought a bear nabe out for everyone to eat. Production[edit] Riichiro Inagaki first began working on Dr. Stone with the initial idea of creating a protagonist that was considered a relatively normal character unlike many others within the genre. He decided that his best approach with creating Senku was to create a character that was ambitious and chose to actively push themselves through hard work in order to fulfill their goals. [3][4] He also wanted to create a character that closely resembled the character Agon Kongo from his own manga serialization Eyeshield 21 in terms of personality and characteristics and felt that it was appropriate for the chosen setting. [5] Inagaki was personally fascinated by the topic of science as a child and sought to create a science-based story for entertainment purposes that also featured common themes and messages that would be compelling for the audience. [3] In regards to influences, Inagaki stated that Video Girl Ai was a series that had a significant impact on the story's development. [3] Inagaki works remotely with his illustrator Boichi in which the former sends his own created storyboards to the latter through his own editor. [4] By the time the pair began working on the series, Inagaki was already quite familiar with Boichi's work as an artist and initially struggled with expressing his ideas for his collaborator to illustrate, often times being uncertain about how to draw some of Senku's inventions and how to make them feel impressive. [6] While developing the setting for the series, Boichi grew captivated imagining how to create the look of a futuristic Japan set 3700 years after humanity had turned to stone. He settled upon the idea of creating a vast beautiful world in which Japan's nature was left untarnished due to the loss of humanity's influence. [6] When asked about scientific accuracies, Inagaki revealed that both himself and Boichi have conducted research into the subject during the development of the series while also receiving help from a consultant.
He told her that if she kept making him maps and could get him 100,000,000 berry he would free her village. Nami was then tattooed with the mark of the Arlong Pirates. Nami returned to the village to tell them she had joined Arlong's crew for the money they gave her, but she later told her sister the truth at their mother's grave. Nami spent the next ten years tormented by Arlong to make his charts, the villagers hated her, thinking she betrayed them; or stealing treasure from pirates. She was always in danger and alone. She would hide her booty in the mikan grove that Nojiko continued to run. In that ten years, Nami was nearing her goal, and she only needed one last big score to free her home. Story[] Orange Town Arc[] It was in Orange Town that Nami stole a map of the Grand Line from the infamous Buggy the Clown. She was being chased by his men when a young man came crashing down from the sky. She played it off as if he was her boss and ran away, but she saw he had defeated the pirates. The boy Luffy asked her to join his pirate crew as a navigator, but she refused due to her hatred of pirates.