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When leaving Zou she wore a skirt and shirt with the number "73" on it and later a hooded fur coat when the crew was traveling in cold weather. In the Whole Cake Island Arc, Nami bought a corset skirt and blouse, making her look like a "pretzel girl", which Carrot and Brook liked. Before landing on Whole Cake Island, Nami briefly wore a suit of armor with spears on the back (due to fighting ants all night) but changed out of it instantly. Later on, after her original outfit gets destroyed in a fire, she steals new clothes from an unconscious man lying nearby; blue overalls with very large, puffy pant legs along with a pink sash wrapped around her waist. When meeting with the Fire Tank Pirates, she wore a short, backless turtleneck red dress. After escaping Whole Cake Island, she wore a white long sleeve mini dress and donned another belt, similar to the one when arriving the New World, but brown; with her new upgraded Clima-Tact on the side of her waist.

9 (10/11): 38–43. ISSN 1067-0831. Archived from the original on April 7, 2004. ^ "《幽遊白書》-《YU YU HAKUSHO》". YouTube. Archived from the original on November 5, 2022.

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0 Ch. 99. 2 - Vol. 21 Ch. 99] Vol. 0 Ch. 165 - Vol. 0 Ch. 165] Vol. 0 Ch. 165 - 582 days ago $localHistory_by_source_items[15236971]. Archived from the original on February 26, 2016. Retrieved June 6, 2021. ^ Narita, Tamotsu (December 25, 2015). 『ベルセルク』三浦建太郎 「ジョージ・ルーカスが“物語を作る基本”を教えてくれた」<3>. Da Vinci News (in Japanese). Kadokawa Corporation. December 23, 2018. Archived from the original on December 24, 2018. Retrieved December 24, 2018. ^ Sherman, Jennifer; Ressler, Karen; Hodgkins, Crystalyn (March 3, 2019). "Roundup of Newly Revealed Print Counts for Manga, Light Novel Series - February 2019 (Updated)".
Mentioning Togashi's love of gore he stated "the whole manga is about the mixture of childish adventure and creepy, adult themes" and noted how some panels later in the manga are apparently censored for gore by being covered with screentone. [2] Reviewing the first story arc, Chris Sims of ComicsAlliance called Hunter × Hunter one of the most "fun, ridiculous, and ludicrously violent comics I've ever read. " He stated that while it has every idea about shōnen manga in force, what sticks out the most is the violence. Sims summed it up as "full of clever setups and characters that, while simple to the point of almost seeming one-dimensional at times, still manage to be solid and entertaining based on their reaction to the increasingly strange, increasingly deadly events around them". [171] Charles Solomon, a writer for The New York Times and Los Angeles Times, praised the moral seriousness of Gon, a quality that gives the protagonist "an appeal his relentlessly upbeat counterparts lack". [172][173] Publishers Weekly gave a positive review to the first volume of the manga, stating that Togashi "shows a deft touch" with its standard story, calling his artwork "clear and graceful", and mentioning that his characters are "endearing and complex". [174] While Rika Takahashi of EX. org and Claude J. Pelletier of Protoculture Addicts found the art style in Hunter × Hunter to be much simpler than Togashi's two previous serializations, Level E and YuYu Hakusho, both reviewers appreciated the intricate narrative and characters. [12][5] Anime[edit] 1999 series[edit] The first Hunter × Hunter anime series has enjoyed much more modest popularity than its manga source. Newtype listed it as having a Japanese television rating of 10.