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The voice acting and BGM were of standard quality, some pieces even stand out for being particularly effective.
This is purely speculation, but seeing how the vast majority of the recent works from the studio have a male demo, this was a change of pace that was forced into them, and they didn't spend any extra bit of effort in the show besides what was needed so the episode aired.
The OST: I live for Masayoshi Ooishi and the OP didn't disappoint. The ED is good too. They don't count towards the rating so moving on.
Before going on to the conclusions, I want to say that the ickiness of the plot goes way beyond the age gap. The aspect that makes the story completely reprehensible is that he's her _guardian_. He's been her only family and parental figure since she was six. It's the fact that any romance that could develop between them will be a fundamentally assymetric relationship. This is fetish-tier material.
In conclusion, you should watch this show.

2020 One Piece 832 : Chapitre 832 11 Dec. 2020 One Piece 831 : Chapitre 831 11 Dec. 2020 One Piece 830 : Chapitre 830 11 Dec. 2020 One Piece 829 : Chapitre 829 11 Dec. 2020 One Piece 828 : Chapitre 828 11 Dec. 2020 One Piece 827 : Chapitre 827 11 Dec. 2020 One Piece 826 : Chapitre 826 11 Dec. 2020 One Piece 825 : Chapitre 825 11 Dec. 2020 One Piece 824 : Chapitre 824 11 Dec. 2020 One Piece 823 : Chapitre 823 11 Dec. 2020 One Piece 822 : Chapitre 822 11 Dec.

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"Bleach: Volume 18 review Blink and you'll miss something very cool". IGN. Archived from the original on June 15, 2011. Retrieved November 1, 2008. ^ Douresseaux, Leroy (January 27, 2007). "Bleach: Volume 22 review". Comic Book Bin. Archived from the original on October 4, 2008. Retrieved November 1, 2008. ^ Douresseaux, Leroy (July 22, 2007). "Bleach: Volume 20 review". But omg THEY ARE SO CLICHE AND STEROTYPED!!! Yes, I do support women's wrongs as much as I support women's rights, but a lot of female characters here seem to exist with the main purpose of fulfilling a certain tsundere/yandere/etc fantasy and I just. blegh. I am SO tired of male-catered fanservice as well as self-insert, boring male characters whose initial existence in the show is unwarranted (like, why tf was he even enrolled in that school?). This anime would've been SO much better if Ryouta was a girl tbh.
Realizing he is about to die, Genya recalls his childhood; as a child, he and his family were frequently abused by his father, who was later killed. One night, Sanemi went out to look for their mother after she fails to arrive home. A demon soon entered their household, killing all five of Genya's younger siblings but was fought off by Sanemi. That morning, he found Sanemi standing in front of their mother’s body, unaware she was the demon, and branded him a murderer in his grief. Genya laments dying without ever apologizing to Sanemi but Tanjiro saves him by attacking Sekido. After Genya shields him from Aisetzu’s attack, Tanjiro goes after Hantengu himself. 517"Awful Villain"
Transliteration: "Gokuakunin" (Japanese: 極悪人)Hideki HosokawaYō MiuraMay 21, 2023 (2023-05-21)7. 0% Tanjiro slashes Hantengu's neck but fails to behead him before he is confronted by Hantengu's manifested hatred Zohakuten, whose Blood Demon Art is giant wooden dragons. Zohakuten, who in actuality is Sekido after absorbing Karaku, Urogi, and Aizetsu, shields the minuscule Hantengu inside a burl and denounces the Demon Slayers for causing him harm, to Tanjiro’s anger. Meanwhile, Gyokko enters Kozo's shed to find him and Hotaru, who is polishing Tanjiro's blade. He attacks Hotaru out of spite but becomes annoyed when Hotaru ignores him.