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And they soon have to face their strongest foe yet: capitalism and the minimum wage. The show is a comedy and delivers on that front continuously from episode to episode, so I highly recommend giving it a watch if you haven’t already. 32. How Not to Summon a Demon Lord Since we’re already talking about demons and devils, we might as well throw this show into the mix. The setup is as basic as you can get in isekai: dude is the very best in a game and is now transported into that game where fanservice and harems await. However, the show itself feels oddly fresh. Firstly, the end goal of the show is to literally disband a spell that one girl messed up that made them the Demon Lord’s slave. Secondly, there’s a linear plot instead of the usual monster of the week format. It’s not winning any literary prizes. But the show is honestly really fun, and the MC is interesting enough to never truly drop your interest. 31.

It’s just unengaging thanks to the main character arc that drives the plot not being handled well and the characters being on autopilot.
That just leaves the music, which is somehow my least favorite part of the show. The background OST has decent tone-setting tracks, but nothing memorable. Half the time, I didn’t even know there was a soundtrack. Then we have the OPs and EDs. I hate them all to varying degrees.

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Retrieved April 21, 2022. ^ Hazra, Adriana (July 1, 2022). "Yen Press Announces Oshi no Ko, Your Forma Manga; Puella Magi Oriko Magica, K-ON! Omnibus Editions; 11 More Titles". Anime News Network. Archived from the original on December 11, 2022. Retrieved July 1, 2022. ^ a b c Mateo, Alex (January 3, 2017). "Live-Action Tomodachi Game Casts Yūki Yamada, Shimon Okura, Nagi Nemoto". Anime News Network. Archived from the original on November 2, 2021. Retrieved November 2, 2021. I never thought too deeply about the two main characters as I made them; I just projected how I was like when I was younger. The ideas naturally flowed out from my own memories. —Katsuhiro Otomo, on the birth of Akira[14] Kodansha had been repeatedly asking Katsuhiro Otomo to write a series for their new manga magazine Young Magazine for some time, but he was busy with other work for another publisher and turned them down. [15] After finishing Kanojo no Omoide.