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Asada considered the work as an historical drama. Since Hykakimaru was too different from Tezuka's work, the recovery of his body became the focus of the narrative and have his first line in the fifth episode. [11] Furuhashi considered creating the series a difficult job due to his portrayal of Hyakkimaru who is meant to look younger and more naive than in the 1969 series. While the series featured multiple episodic stories, Furuhashi made several to be focused on Daigo's family in order to combine with Hyakkimaru and Dororo's journey. When creating the series, Furuhashi read other works created by Osamu Tezuka. He was aided by Yasuko Kobayashi in order to properly handle the setting. As the story progresses, Hyakkimaru recovers lost parts of his body. Furuhashi decided that the first one he recovers should be the one that allows him to feel pain. In regards to messages, Furuhashi wanted to leave hidden content rather than having the cast explain it. The director cites episode 18 as an example of this as well as how the dynamic between Hyakkimaru and Dororo was written in order to properly develop the former in order to prepare him for his personal story arc. [12] Osada explained in an interview that Hyakkimaru's slender body frame is a deliberate effort to accentuate the image of him being a “ball-joined doll”.09. Archived from the original on January 18, 2023. Retrieved January 19, 2023. ^ ニュータイプアニメアワード2022-2023」結果発表!. Newtype (in Japanese). October 31, 2023. Archived from the original on October 31, 2023. Retrieved October 31, 2023. ^ "Paris Film Critics Awards 2024: list of nominations". Sortir à Paris. January 9, 2024.
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