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1% of those fans said they owned every volume. According to multiple respondents, the series helped them treasure and connect with their families and allowed people of different generations to connect even in the workplace and beyond. The poll was responded from November 18–24 by 3,848 members of Oricon Monitor Research, ranging from people in their teens to their sixties. [92] The series helped to increase internal tourism, with many tourists traveling to similar spots to the ones featured in the series. [93][94][95][96] It has been featured in Japanese high school textbooks starting in 2022. [97][98] Regarding the series' sudden huge success, Weekly Shōnen Jump editor-in-chief Hiroyuki Nakano stated that the manga sales shot up straight after its anime adaptation finished, explaining that a large number of people watched the series through streaming services after it ended rather than watching it weekly. Nakano also stated that it is harder for a manga series running in the magazine to become a hit, and Demon Slayer: Kimetsu no Yaiba despite having started in February 2016, did not become a major hit until late 2019, adding that its success "hinged on word of mouth generated after the anime's run". [99] Nakano have also said it introduced many new people and audience into Jump. [100] On December 20, 2020, at the Jump Festa '21, Mayumi Tanaka, voice actress of One Piece's Monkey D. Luffy, read aloud a message from One Piece creator Eiichiro Oda, in which he praised Gotouge's series, and wrote: "At Jump, Demon Slayer was really amazing. I enjoyed how it was able to save the feelings of so many people.

"Kengan Is Coming to Comikey". Comikey. Archived from the original on November 11, 2021. Retrieved November 11, 2021. ^ ケンガンアシュラ 2 (in Japanese). Shogakukan. Archived from the original on October 28, 2020. Retrieved May 25, 2018. ^ ケンガンアシュラ 13 (in Japanese). Shogakukan. Archived from the original on October 28, 2020.

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[citation needed] In 2006, five years after the series finished airing in Japan, it was 93rd in TV Asahi's list of Japan's 100 favorite animated TV series. [119] Animerica reviewers felt the anime adaptation was similar to Ranma 1⁄2 in terms of premise and its using a similar musical score. Julie Davis found the characters to be "superficially pretty" and "so-clean-they-look-almost-like-paper-cutouts" with "really, really gigantic eyes", though she notes that the animal alter forms of the zodiac members were "cute and cuddly". Fellow reviewer Urian Brown disagreed, stating that "the characters are designed in a sleek stylish manner that is classy" and felt the animation was "refined". [120] Though it only covers part of the manga, critics felt the ending brought the story to a good stopping point while making it clear that there was much left for the Sohma and Tohru to deal with, including the curse and Tohru's future choice between Kyo and Yuki. [121][122] Though some felt the plot was lacking in development, they also praised the series for the strength of its character relationships. [122] Allen Divers of Anime News Network called the series a "true emotional roller coaster" which hides "truly deep and heartfelt drama" behind humor, adding that the show explores many "aspects of emotion. "[121] In April 2005, Funimation Entertainment started a project calling for convention attendees to help them fold 1,000 origami paper cranes. In Japanese folklore, folding 1,000 paper cranes would grant someone a wish. When they had at least 1,000 cranes, Funimation sent the cranes and pictures of the events to Studio Deen and Hakusensha to try to convince the company to produce a second season of the Fruits Basket anime. [123] Fans successfully folded the required 1,000 cranes by the end of the 2005 convention season,[124] starting at least a 13-year gap that culminated in the announcement of the new Fruits Basket anime in 2018.