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[81] A comedy spin-off illustrated by Midori Hagi, titled Girls und Panzer: Tankery Recommendation (ガールズ&パンツァー 戦車道ノススメ, Gāruzu ando Pantsā Senshadō no Susume), serves as an explanation for the history, development, and technical details of tanks and other vehicles that appear in the series. [82] Media Factory serialized the manga in Monthly Comic Flapper magazine from August 5, 2016,[83] to June 5, 2019. [84] A total of five volumes were published in Japan from February 23, 2017,[85] to June 22, 2019. [84] A spin-off of the series featuring Erika Itsumi of Kuromorimine Girls' High School, titled Girls und Panzer: Phase Erika (ガールズ&パンツァー フェイズ エリカ, Gāruzu ando Pantsā Pheso Erika), was illustrated by Saitaniya and serialized by Kadokawa on ComicWalker website from September 19, 2016,[86] to March 19, 2018. [87] A total of three volumes were published in Japan from February 23, 2017,[85] to April 23, 2018. [88] A spin-off of the series featuring Katyusha and Nonna of Pravda Girls' High School, titled Girls und Panzer: Saga of Pravda (ガールズ&パンツァー プラウダ戦記, Gāruzu ando Pantsā Purauda Senki), was illustrated by Hajime Yoshida and serialized by Kadokawa on ComicWalker website from July 19, 2018,[89] to December 19, 2021. [90] A total of five volumes were published in Japan from January 23, 2019,[91] to December 22, 2021. [92] A spin-off of the series featuring Noemi Kohiyama of Count High School, titled Girls und Panzer: The Fir Tree and the Iron-winged Witch (ガールズ&パンツァー 樅の木と鉄の羽の魔女, Gāruzu ando Pantsā Momi no Ki to Tetsu no Hane no Majo), began serialization by Kadokawa on ComicWalker website on November 16, 2018. [93] As of July 23, 2022[update], the manga has been published in two volumes in Japan. [94] A "gag" spin-off of the series featuring Anzio Girls' High School after the events of Girls und Panzer der Film, titled Girls und Panzer: Avanti! Anzio Girls' High School (ガールズ&パンツァー アバンティ!アンツィオ高校, Gāruzu ando Pantsā Avanti! Anzio Koukou), was serialized by Kadokawa on the official Twitter account of Dengeki Twitter Magazine from February 1, 2019,[95] to June 21, 2021. [96] A total of three volumes were published in Japan from September 27, 2019,[97] to June 25, 2021.

This is prime real estate for her to develop as a character (the main one at that) before Volume 4 completely has her going nowhere with this outside of two scenes of her feeling scared and horrible for what happened, causing her to completely abandon this idea outside of one scene in Volume 5 where she brings up the deaths of her friends. Hell, even that had more of an impact than what happened in this arc, which is still the most emotionally resonant arc in the series!
None of this would matter too much if the characters were dynamic and colorful, cuz that would make it so even if an episode is only there for variety, it’s still engaging. Unfortunately, Dororo’s characters barely go beyond their character archetypes, and the ones who aren’t stock characters often leave a lot to be desired. I already discussed how poorly they handled Hyakkimaru’s development, which is a real shame since there are moments where he comes off as fun, even adorable with how he has to learn to really socialize with others on a level beyond that of a toddler. Dororo, by contrast, is far more lighthearted, sometimes even naive regarding “right and wrong”, as she’s a child. She’s an orphan that has watched her parents die and seen villages burn, and that completely clashes with how naive she is and how horrifying such violence seems to her in the first leg of the show, but she’s still a child. Speaking of clashing, her character trait of being a street rat who regularly attempts to swindle people or make a quick buck makes some of her more gullible actions in later episodes (15) seem entirely out of place. She has two sides to her that are fundamentally at odds with one another at times, resulting in a character that feels weak, on top of feeling shallow. That shallowness is compounded by the lack of development, a trait which only Hyakkimaru and one of the antagonists have any kind of access to (as dodgy as their development is). I know that a lack of character development is one of the tackiest, most misused complaints thrown at an anime, but when the characters are this shallow, and none of the side stories leave any kind of impact on a pair of characters consisting of a child and a person slowly gaining back and developing his humanity, I'm left begging for something, anything to change before completely checking out by episode 18.
I’m barely gonna touch on the side characters, even Hyakkimaru’s family and the people that serve them, as they’re mostly just boring character archetypes like the suffering mom, the warlord who cares about his nation almost as much as he does his reign over them, and the edgy, jealous younger brother who constantly tries to prove himself in order to not feel overshadowed.

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Monument23m In the season finale, Belmont strives to save Gresit from certain doom and comes face to face with a shocking truth. Release year: 2018As Dracula and his legion of vampires prepare to rid the world of humanity's stain, an unlikely trio of heroes dares to stand in their way. 1. War Council25m Dracula entrusts a deadly -- and personal -- mission with two humans who truly hate humanity, not knowing that he himself has become a target. 2. Old Homes25m As Belmont shares a bold strategy with Alucard and Sypha, Dracula addresses a conflict within his ranks. Isaac recalls a painful encounter. 3. Shadow Battles27m Belmont travels to his family's archives, along with Sypha and a cynical Alucard. Godbrand voices a suspicion about Dracula's motives. 4. [41] In July 2020, it was announced that the franchise's publishing rights outside of Japan will be transferred from NIS America to Spike Chunsoft. [42] As part of the 10th anniversary celebration, enhanced ports of Danganronpa: Trigger Happy Havoc and Danganronpa 2: Goodbye Despair, titled Danganronpa: Trigger Happy Havoc Anniversary Edition and Danganronpa 2: Goodbye Despair Anniversary Edition respectively, were released on smartphone on November 25, followed by Nintendo Switch in December 2021. Danganronpa: Trigger Happy Havoc Anniversary Edition was also ported to Xbox One and Microsoft Store on January 17. [43] These version contains a gallery where players can listen to character voices, as well as view character expressions, in-game illustrations, and character references. On Nintendo Switch, the publisher also released Anniversary Edition of Danganronpa V3: Killing Harmony, as well as Danganronpa S: Ultimate Summer Camp, a brand new exclusive game for the Switch. Danganronpa: Trigger Happy Havoc Anniversary Edition, Danganronpa 2: Goodbye Despair Anniversary Edition, Danganronpa V3: Killing Harmony Anniversary Edition, and Danganronpa S: Ultimate Summer Camp were also collected and sold as a bundle titled "Danganronpa Decadence on the Nintendo Switch. [44] Themes[edit] According to Kodaka, the first two games focus prominently on the ideas of hope and despair. The cast from the first game suffers the latter theme when being forced to kill each other in Monokuma's battle royale. Kodaka stated that the games were intended "to portray the disparity faced when someone has killed another person while at the same time portraying the hope of one day achieving salvation. " Although the game shares traits from Koushun Takami's 1999 novel Battle Royale, Kodaka aimed to provide different ideas when writing the script. Originally, the idea was to use adults as protagonists but he instead found high school characters as more potential leads due to their immaturity through the usage of character development and how would they react to a killing game.
Archived from the original on February 9, 2007. Retrieved November 7, 2022. ^ "Magazines Index" (in Japanese). Shueisha. Archived from the original on June 8, 2004. Retrieved November 7, 2022. ^ 週刊少年ジャンプ1993年15. Media Arts Database (in Japanese). Agency for Cultural Affairs. Archived from the original on November 7, 2022. Retrieved November 7, 2022.