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September 25, 2015. Archived from the original on March 9, 2022. Retrieved March 9, 2022. Further reading[edit] Piatti-Farnell, Lorna (December 2013). "Blood, Biceps, and Beautiful Eyes: Cultural Representations of Masculinity in Masami Kurumada's Saint Seiya". The Journal of Popular Culture.

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Archived from the original on April 9, 2015. Retrieved April 6, 2015. ^ "′Death Note′ The Musical Unveils JYJ′s Kim Junsu and More in Korean Cast". Mwave. April 6, 2015. Archived from the original on April 9, 2015. Retrieved April 4, 2015. ^ Rasmussen, David. "Kashimashi Review". Anime Boredom. Archived from the original on August 21, 2008. Video Games (in German). No. 32. Future-Verlag. July 1994. p.
Out of gratitude and affection for Emilia, Subaru makes use of his newfound ability to protect her and help on her ambition to be successfully appointed as the next queen, also providing assistance to other friends he makes along the way, while suffering due to the pain inflicted on him every time he dies, and carrying along the memories of everything that happened before his power activates, which is forgotten by everybody except for him. Production[edit] Light novel[edit] In the late 2000s, the light novel series The Familiar of Zero (Zero no Tsukaima) spawned a number of fan fiction on the website Shōsetsuka ni Narō ("Let's Become Novelists"), also known as Narō. Tappei Nagatsuki initially began writing The Familiar of Zero fan fiction on Narō, before building on its isekai ("other world") concept to write his own original web novel series on Narō, called Re:Zero, which began serialization in 2012. [6] The series' editor at MF Bunko J, Masahito Ikemoto, first became aware of the web novel in April 2013, when it began to appear on his Twitter feed. [7] He was immediately impressed by the series' use of Return by Death, and how it was a "depressing, yet surprising, twist on the fantasy genre," and began working with Nagatsuki to adapt the series into a light novel. [7][8] Most light novels are around 250 pages in length, but Nagatsuki submitted a manuscript of more than 1,000 pages for the first novel, forcing Ikemoto to edit it heavily.