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Rating: R - 17+ (violence & profanity)
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The reason why Miyamura is surfaced as a lonesome otaku geek at the beginning is because of Tanihara and his clique of friends who used to bully Miyamura for his ostracized looks, to the breaking point where what Miyamura once confided in was taken away from him, leading to the gloomy aspect. It's only through Shindo that Tanihara would come to start accepting Miyamura for who he is, with the heart talks between both cementing the reconciliation years later. Other than that, Shindo is the casual butt of a joker, and with Hori adding into the equation only makes the S&M aesthetic look more prominent.
- The others who have significantly less screentime: Shu Iura is the objectively loud airhead of a character whom is exactly like Shindo, Honoka Sawada whom is seen as the detractor of the Horimiya relationship, and the Hori family of a beautiful, yet somehow kinda "broken" family (in particular to Best Dad Kyosuke).
Ideally I would want to paint this picture as someone whom has been in a relationship, but for the general audience, whether you're in one or not, Horimiya is as bare-bones as it can be, trading the romance aspect for its comedy of the Pareto Principle: 80% comedic slice-of-life, 20% romance.
“We’re all a little weird. And life is a little weird. And when we find someone whose weirdness is compatible with ours, we join up with them and fall into mutually satisfying weirdness — and call it love — true love. ” – Robert Fulghum
I find it quite the fascination of not just the OST that Horimiya has, but more of less its visuals and the intended picture of how people are supposed to perceive both the small and big moments, and this is something that I have to give the animators credit for. Starting off with the OP, it's interesting that there's 2 variations of Miyamura's theme: the 1st half where Miyamura is just like his old self, from reaching for the cube alone to most characters feeling dejected and frustrated, to the 2nd half where Hori's hand reached out for Miyamura with the cube, to the director's credit roll of him slicing the monochrome feel to showcase the colours of life with happiness overflowing. Capping off with the ED, it's using the twixt of a mix of animation in a dress-up model style between the central couple.

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8 seconds, the standing quarter-mile in 14. 5 seconds with a trap speed of 100 miles per hour (160 km/h), and an observed top speed of 114 miles per hour (182. 4 km/h) at the engine's 6,000 rpm redline. A four-barrel Motor Trend test car, a heavier convertible handicapped by the two-speed automatic transmission and the lack of a limited-slip differential, ran 0–60 mph in 7 seconds and through the quarter-mile in 16. 1 seconds at 89 miles per hour (142. 4 km/h). [citation needed] Major criticisms of the GTO continued to center on its slow steering (ratio of 17. 5:1, four turns lock-to-lock) and subpar brakes. Car Life was satisfied with the metallic brakes on its GTO, but Motor Trend and Road Test found the four-wheel drum brakes with organic linings to be alarmingly inadequate in high-speed driving. Sales of the GTO, abetted by a marketing and promotional campaign that included songs and various merchandise, more than doubled to 75,342. It spawned many imitators, both within other GM divisions and its competitors. ^ "Vinland Saga is a Viking classic for the ages". The Daily Star. May 18, 2023. Archived from the original on June 14, 2023. Retrieved June 13, 2023. ^ "The hyper-violent Vinland Saga's most interesting arc is also its quietest".