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, Luffy 4 Lawliet, L 5 Roronoa, Zoro Home About Press Room Support Advertising FAQ Terms Privacy Privacy Settings Do Not Sell My Personal Information Cookie Notice at Collection Sitemap Login Sign Up Tokyo Otaku Mode Honeyfeed Manga Store MyAnimeList. net is a property of MyAnimeList Co. ,Ltd. ©2024 All Rights Reserved. This site is protected by reCAPTCHA and the Google Privacy Policy and Terms of Service apply. 聖鬥士星矢 (TV Series 1986–1989) - IMDb MenuMoviesRelease CalendarTop 250 MoviesMost Popular MoviesBrowse Movies by GenreTop Box OfficeShowtimes & TicketsMovie NewsIndia Movie SpotlightTV ShowsWhat's on TV & StreamingTop 250 TV ShowsMost Popular TV ShowsBrowse TV Shows by GenreTV NewsWatchWhat to WatchLatest TrailersIMDb OriginalsIMDb PicksIMDb SpotlightIMDb PodcastsAwards & EventsOscarsSXSW Film FestivalWomen's History MonthSTARmeter AwardsAwards CentralFestival CentralAll EventsCelebsBorn TodayMost Popular CelebsCelebrity NewsCommunityHelp CenterContributor ZonePollsFor Industry ProfessionalsLanguageEnglish (United States)LanguageFully supportedEnglish (United States)Partially supportedFrançais (Canada)Français (France)Deutsch (Deutschland)हिंदी (भारत)Italiano (Italia)Português (Brasil)Español (España)Español (México)AllAllTitlesTV EpisodesCelebsCompaniesKeywordsAdvanced SearchWatchlistSign InSign InNew Customer? Create accountENFully supportedEnglish (United States)Partially supportedFrançais (Canada)Français (France)Deutsch (Deutschland)हिंदी (भारत)Italiano (Italia)Português (Brasil)Español (España)Español (México)Use appEpisode guideCast & crewUser reviewsTriviaFAQIMDbProAll topics聖鬥士星矢Original title: Saint SeiyaTV Series1986–1989TV-PG24mIMDb RATING8.

Anime News Network. Archived from the original on May 18, 2007. Retrieved December 20, 2009. ^ a b "Yu Yu Hakusho Back on Cartoon Network". ICv2. October 21, 2005.

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rurouni kenshin the final mackenyu

main characters journey in such an environment. Had it been just that, this might've been an enjoyable, lighthearted at times, heartfelt in others, ecchi-at-times show. However, the last two episodes come out of nowhere and taint the pleasant feelings with unpleasant ones to say the least. To make it worse, the unpleasantness goes on too long, the characters move on too quickly for such an experience, and the ending scene with our protagonists seems to act like what happened in the past two episodes were as important as a filler arc, making the characters feel unreal and not human.
The art, shot composition, and audio were all amazing and really caught and kept the viewers attention. The OP and ED were really good, but I have to say that it was really hard to feel the same way about a clearly happy and lighthearted ED after watching episodes 10-12. Things really weren't the same after that. I really wanted to like this show - I really DID like this show - and I was willing to overlook the suboptimal writing if not for the greatly disappointing final episodes.
Sometimes many shining moments can be undermined by a terrible few. I believe that to be the case for Tengoku Daimakyou. As much as I enjoyed nearly every aspect about the show up until that point, I cannot ignore the ending. She plays an instrumental role in the final battle with Tetsuo at the cost of her own life, and after her death speaks to Kaneda when he, having previously been absorbed by Tetsuo, is transported to a place "beyond this world". Sakaki (サカキ, also 榊) Sakaki is an empowered and fond disciple of Lady Miyako and apparent leader of her team of three. Although small and unassuming, she uses her powers to become much faster and stronger than the average person. Tomboyish in appearance, she is sent to battle the Espers, the military, Kaneda, and Nezu to recover Akira. Sakaki only appears in the third volume, in which she is killed by the military. Before her death Lady Miyako utters Sakaki's name, emphasizing their close relationship.
(January 2024) The series received a mixed reception. In reviewing the first episode, Vrai Kaiser of Anime Feminist said that while the series isn't bad, its writing can unearth "a kind of camaraderie in the face of despair," but that these two months are "preceded by 20 minutes of noise," but that there is potential in the series. [48] In a review of the first three episodes, Meru Clewis on the same website, said they approached the series enthusiastically due to fond memories of Angel Beats but was apprehensive, saying it has the potential to be "really, genuinely interesting" if Hina's character is improved, and hoped that the series gets better. [49] In another review, on the same website, Noise criticized the series for featuring a "lot of insidious ableism" in the last few episodes, perpetrating harmful ideas about treatment and agency of disabled people, embodying clichés and stereotypes that disabled people often embody in popular fiction, and the ableism of the series' big plot twist as tying into the "disability superpowers" trope. However, he also said that there is an "incredibly uncomfortable sexual undertone", a "coat of romantic sugariness", criticized the series for promoting a "regressive.