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p. 107. ^ "「頭文字D」SOUND FILES vol. 1". Oricon. Archived from the original on January 5, 2019.

[81][80] Guts, at the beginning of the story, is presented as an antihero who does not care about killing and is indifferent to people who aid him. Guts does not act in accordance with definitions of right and wrong, he operates within a gray area. Initially he does not attempt to be heroic or protect the innocent, though his self-motivated actions sometimes do so incidentally. [82][83] However, as the story progresses, it is shown that he is in fact a person who is deeply conflicted internally. [84][85] His tragic and traumatic past, unfolded in the Golden Age arc, shows Guts as a more complex character. [86][82][80] Anne Lauenroth of Anime News Network wrote that Griffith is "not evil at all," but "arrogant and brutally realistic about human nature.

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Death Notes were originally conceived as changing based on time and location, resembling scrolls in ancient Japan, or the Old Testament in medieval Europe. However, this idea was never used. [14] Themes[edit] Writer Tsugumi Ohba had no particular themes in mind for Death Note. When pushed, he suggested: "Humans will all eventually die, so let's give it our all while we're alive". [15] In a 2012 paper, author Jolyon Baraka Thomas characterised Death Note as a psychological thriller released in the wake of the 1995 Tokyo subway sarin attack, saying that it examines the human tendency to express itself through "horrific" cults. [16] Pilot chapter[edit] The Death Note process began when Ohba brought thumbnails for two concept ideas to Shueisha; Ohba said that the Death Note pilot, one of the concepts, was "received well" by editors and attained positive reactions from readers.