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”Watanabe and Kanno went on to develop a highly collaborative dynamic, the director shared at a 2013 press conference. “First, let me be on the record as saying [Kanno] does not compose music exactly the way I tell her to,” he said, prompting laughs, according to Anime Superhero. He continued: “There were instances where I heard these songs she created for Cowboy Bebop, took inspiration from them and created new scenes for Cowboy Bebop. And then she would be inspired by these new scenes I’d created, they would give her new ideas for music and she’d come to me with even more music. ”Sunrise EntertainmentIn the interview with Otaquest, Watanabe gave the example of “Green Bird,” a hymn-like song that’s both calming and haunting and first played after a pivotal confrontation between Spike and his nemesis in the episode “Ballad of Fallen Angels. ” “The scene at the end of episode five where Spike falls from the window [of a cathedral] was inspired by the song ‘Green Bird,’ and was made without having originally been ordered,” Watanabe said of the memorable sequence. “It’s fair to say Cowboy Bebop is full of such occurrences, and that the project’s music budget may have gone well overboard. ”How the original Cowboy Bebop fits into the live-action adaptation The live-action series is informed by the musical choices, Christopher Yost, a writer and executive producer on the show, says in a recent featurette from Netflix about Kanno’s return to score the adaptation. The composer says the new project uses “about one-tenth of the music from the original animation. ” Showrunner André Nemec said in an interview with Polygon that “Yoko’s involvement in this show to me was paramount to almost everything else. ” And John Cho told Vulture, “I made sure that [Kanno] was locked in before saying yes .
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