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To sum up, I feel like this manga is really outrageously overrated by a lot of the people who have read it. This manga absolutely has the parts to potentially be something amazing, but honestly, knowing this author, I highly doubt they can piece them together into something amazing, given the erratic mess they've created thus far.
Side note: the last manga I read before this was GTO, and to go from that masterpiece to this was a hilarious contrast. Reviewer’s Rating: 3 What did you think of this review? Nice 0 Love it 0 Funny 0 Confusing 0 Informative 0 Well-written 0 Creative 0More reviews by YungChody (1) Show allRead moreShow lessOpen Gift Report
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A 16-year-old girl and a high school freshman Kikyou is a kind, positive and well-mannered girl that’s kind to everyone that she meets and is widely regarded by many to be the class idol within the class. A considerate and understanding person Kikyou has a very direct personality and seems to be someone that values friendship and bonds quite highly as she cares a great deal about each one of her friends deeply. However, while she appears to be a simple-minded girl that’s not well versed in manipulation beneath his mask of hers is a different personality that Kikyou hides from the others. Underneath the angle like personality that she presents to outsiders Kikyou surprisingly has another personality that is radically different to her surface one.
In this Kikyou’s personality though still direct is very rude and is not afraid of voicing her true feelings about other people directly. She’s also shown to be quite manipulative and quite capable of using blackmail and lies to force people to obey her. Despite this radical change in personality it’s interesting to note that this side of her isn’t exactly evil by nature but rather seems to be a protective measure that was created to protect her from harm. Perhaps more so than in her default personality Kikyou seems to be in great fear of being isolated and being lonely. The character of Kikyou Kushida I felt was an interesting character that while supportive of the main characters and to the class emphasized one of the main themes of this anime quite well. The theme being that everyone wears a mask in society. The contrast in her personality I felt was interesting as was her relationship with Kiyotaka.

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One of their films is even a French Coproduction. Conversely, My Neighbor Totoro and Ponyo on the Cliff by the Sea take more influence from American animated films rather than French animated Films. Earwig and the Witch also looked to Aardman Animations and Laika's stop-motion films to translate the signature Ghibli style to 3D CGI. The Big O is the result of Japanese animators involved with Batman: The Animated Series (Sunrise, the studio behind the show, was a subcontractor for the latter series) running with the influence of Bruce Timm's iconic art style. Look for the Batmobile in the backgrounds. The first ending sequence to Fullmetal Alchemist (2003) is done in Mike Mignola's style. Hiroyuki Imaishi's projects tend to have this reputation. Zig-Zagging Trope with Panty & Stocking with Garterbelt. It takes most of its art style from animesque Western animation (looking a lot like The Powerpuff Girls). One episode parodying Transformers goes maximum '80s. Dead Leaves borrows some exaggerated faces, angular hard-line animation, and violence from Western cartoons. Dark Horse Comics. Retrieved May 19, 2014. ^ Robertson, Adi (July 5, 2019). "Akira is getting a 4K remaster and a new anime series". The Verge. Retrieved January 10, 2020. ^ a b c d e Brooks, Brad; Tim Pilcher (2005). The Essential Guide to World Comics. London: Collins & Brown. p. 103.

[134][135][136] In response the Japanese Prime Minister Fumio Kishida promised to improve the working conditions and salary of all animators and creators working in the industry. [137] A few anime studios such as MAPPA have taken actions to improve the working conditions of their employees. [138] There has also been a slight increase in production costs and animator pays during the COVID-19 pandemic. [139] On April 27, 2023, Nippon Anime Film Culture Association (NAFCA) was officially founded. The association aims to solve problems in the industry, including the improvement of conditions of the workers. [140][141] Globalization and cultural impact See also: Japanese pop culture in the United States, List of anime distributed in the United States, List of anime distributed in India, Japanese influence on Chinese culture, Japanese influence on Korean culture, Anime in hip hop, and List of highest-grossing anime films Anime Expo – one of the largest fan conventions in the Western world[142] Anime has become commercially profitable in Western countries,[143][144] as demonstrated by early commercially successful Western adaptations of anime, such as Astro Boy and Speed Racer.