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[137] This stylistic disadvantage compelled the Kamogawa gym to avoid the long-awaited match between Ippo and Miyata, as it was seen as a hopeless endeavour. [138][139] The drawback was eventually exploited by the counter-puncher Sawamura, who challenged Ippo for the JBC title. [140][141] Most importantly, as noticed by Ippo, the passive procedure of waiting for the opponent to throw a punch before closing in resulted in him losing the initiative and forgoing the use of his left to claim the first strike, as is noticeable by the gradual neglect and eventual discardment of his jabbing. [142][143] This was a direct contradiction to the style Kamogawa originally envisioned for Ippo, which revolved around “hitting before being hit”. [144] Prior to his first performance on the world stage, Ippo's one-dimensional style was described by Eiji Date as too simplistic for the world level. [145] This idea was reinforced in the night of the fight by Ippo's opponent, Alfredo González, who judged his boxing as outdated and technically unremarkable. [146][147] Despite all of the complications the Dempsey Roll would bring, this was thought of by Kamogawa as a necessary evil, a sacrifice in order to achieve victory. [148] In the long run, all of the trials and tribulations Ippo confronted may have been the setup to an immense payoff, in the form of a weapon even stronger than the Dempsey Roll that would also conquer all of its weaknesses. In Other Media Video Games Main Article: List of Hajime no Ippo games
Being the main character of the Hajime no Ippo series, Ippo is playable in every video game from Hajime no Ippo on the Playstation, to Hajime no Ippo: Fighting Souls on mobile devices. Ippo has also appeared as a character in games outside of the series, such as Sunday x Magazine Hot Fight! Dream Nine, Sunday & Magazine WHITE COMIC, and Sunday vs Magazine: Shūketsu! Chōjō Daikessen. He also appears in as a special event character in mobile games and apps such as "Kōshien Pocket", "Puzzles & Dragons", "aruku&", and "Bousou Retsuden - Tansha no Tora".

He mentions someone named Alice, an ID key fragment and Shangri La’s true frontier. They resume fighting only Wethermon is now far quicker, more savage and reveals multiple attacks he would not used before. His next attack destroys Rakuro’s helmet and kills him, but Wethermon fails to notice Rakuro had already set up another resurrection tool in advance to revive himself instantly. 18"All Emotions In The Moment (Part 4)"
Transliteration: "Setsuna ni Omoi o Komete Sono Shi" (Japanese: 刹那に想いを込めて其の四)TBAKazuyuki FudeyasuTBAFebruary 11, 2024 (2024-02-11) Wethermon begins using the same set of multiple attacks repeatedly, ending with the same unavoidable instant death attack, claiming he will not fall until Rakuro surpasses his ultimate move. Rakuro quickly runs out of full resurrection items, leaving only the 50% health recovery items. Rakuro deduces the only way to win is to somehow perfectly parry Wethermon’s unavoidable instant kill attack. Arthur and Katzo manage to shatter the armor around Kirin’s waist, exposing its critical weak point. Combining both their strongest attacks they pierce the weak point and Kirin is destroyed, allowing them to collapse from exhaustion. Rakuro, with no health items remaining, has only one chance for a perfect parry or the whole battle will be a failure. For luck he dons his original bird mask while Wethermon begins his unavoidable attack. Fusing his Moonblades into the single weapon Twin Moon, Rakuro increases his chance of performing both a perfect parry and critical damage.

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It follows former pop star Mima who decides to leave her band and pursue an acting career. Many of her most devoted fans are outraged by this, and one particularly obsessive fan begins to torment and stalk Mima. As this fan's actions escalate further and further, Mima becomes increasingly paranoid and delusional. Soon she can't differentiate between reality and fantasy, and contradicting events begin to blur together into a surreal exploration of Mima's subconsciousness. The film is told in a very interesting nonlinear way, in which (like Mima) the viewer is kept in the dark about what's real and what isn't. By the end of the movie, it's still not entirely clear which scenes were just the product of Mima's delusions and which scenes were not. The film was clearly a key influence on the more recent psychological thriller Black Swan, but despite their similarities Perfect Blue is very much a unique movie. Perfect Blue is heavy on style and indecipherable at times, but it's so consistently intense and thrilling that it's well-worth watching. Show Less Show More Super Reviewer Mar 21, 2012 This is fucked up. It does touch a few interesting themes and it plays well on that thin line that is separate reality and dreams. Show Less Show More Super Reviewer Jan 01, 2012 Wow, this film has worked miracles in my mind, I've never seen such an incredible film. Deciding not to take the scale, Boruto instead entered a summoning contract with the snake, on the condition that he could eat the shinobi if Mitsuki had betrayed Boruto. Returning to the sage, he presented the scale to her by summoning Garaga, prompting her to show Mitsuki's snake's memories to the shinobi. Learning that Mitsuki had actually saved Uō's life and that he was being accompanied to the Land of Earth, the shinobi depart the cave to find him. Boruto's group pursuing Mitsuki. As the group began to approach the Land of Earth's border, Shikadai had Inojin and Chōchō to return to the village to report their findings. As the other genin continued their pursuit, they found the remains of a clay creature, which Boruto recognised as the same thing that attacked Mitsuki's snake.