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All rights reserved. Suzume review: everything that’s magical about Makoto Shinkai’s imagination - The VergeSkip to main contentThe VergeThe Verge logo. The Verge homepageThe Verge homepageThe VergeThe Verge logo. /Tech/Reviews/Science/Entertainment/MoreMenuExpandThe VergeThe Verge logo. MenuExpandFilmSuzume is everything that’s beautiful and moving about Makoto Shinkai’s imaginationMakoto Shinkai’s Suzume is his most exuberant movie yet and a powerful rumination on holding space for the past. By Charles Pulliam-Moore, a reporter focusing on film, TV, and pop culture. Before The Verge, he wrote about comic books, labor, race, and more at io9 and Gizmodo for almost five years. Apr 13, 2023, 3:30 PM UTCShare this story Image: CrunchyrollPart of /The best entertainment of 2023Each of director Makoto Shinkai’s animated films has told powerful, moving stories about people trying to connect with one another both because and in spite of larger-than-life forces in the world that could easily tear them apart. Suzume, Shinkai’s newest feature produced by CoMix Wave Films and distributed internationally by Crunchyroll, is no exception. But unlike some of Shinkai’s other recent critically acclaimed projects like Your Name and Weathering With You, there’s a striking directness to the metaphors at work in Suzume that gives it an unexpectedly potent punch. More road trip movie than the kind of romances Shinkai’s known for, Suzume tells the tale of how high schooler Suzume Iwato (Nanoka Hara originally, Nichole Sakura in Crunchyroll’s English dub) discovers the secret, mystical causes behind the earthquakes that plague Japan and becomes wrapped up in an epic race to save her country from an impending tectonic cataclysm.

Anime News Network. Retrieved December 17, 2022. Episode 38: Pineda, Rafael Antonio (January 15, 2022). "Japanese Animation TV Ranking, December 27–January 2". Anime News Network. Retrieved December 17, 2022.

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Take some time to look back at the past few world cups, was Giroud the main reason France won the world cup in 2018? How about Spain’s 4-6-0 formation where they fielded 0 strikers and won the world cup in 2010? It’s just this cringey decadent idea that strikers are the most important part that I just know comes from a place to get impressionable children riled up for your show. Frankly, it’s dishonest and insulting.
Another crucial problem with only having strikers is, you only have a limited amount of qualities and unique skills to give around where players can excel at: Pace, finishing, hold-up play, off the ball movement, spatial awareness to name the key ones. And evidently, they’re exhausted pretty quickly. What you’re then left with are pure power upgrades that I really dislike. Where it’s this childish one-upping of “I read his play”, “I read his reading of my play”, “I can jump higher than you”, “I can run faster than you”. It’s just not fun to watch from a tactical and footballing standpoint. And deep down, Blue Lock knows this, so what do they do? They decide to introduce imaginary monsters. Yes you heard me right.
Just like Bachira and the monster inside of him, there are 2 wolves inside of me, one hates this show, the other also hates this show. The individual monsters of this show don’t work and don’t get expanded on. 0 Volume 70 16-11-2022 5. 0 Volume 69 16-11-2022 5. 0 Volume 68 16-11-2022 4. 9 Volume 67 16-11-2022 4. 9 Volume 66 16-11-2022 5. 0 Volume 65 16-11-2022 4. 9 Volume 64 16-11-2022 5. 0 Volume 63 16-11-2022 5. 0 Volume 62 16-11-2022 4. 8 Volume 61 16-11-2022 5. 0 Volume 60 16-11-2022 5.
^ 【12月9日付】本日発売の単行本リスト. Comic Natalie (in Japanese). Natasha, Inc. December 9, 2020. Archived from the original on October 26, 2021. Retrieved November 2, 2021.